Ranking the greatest Beatles songs, from No. 1 to No. 189 (updated with Now and Then)

We ranked every song the Beatles wrote, including their last one.

EDITOR’S NOTE: This was written back in 2017, but we’re updating it with Now and Then, the final single released by The Beatles in 2023. See where it landed below.

It was 50 years ago today …

Indeed, in the United States, Beatles released Sgt. Pepper’s Lonely Hearts Club Band on June 1, 1967. It was instantly one of rock’s greatest and most progressive albums, and another sign that John Lennon, Paul McCartney, George Harrison and Ringo Starr had officially put their mop-top Fab Four days behind them.

In celebration of the seminal album’s 50th anniversary, I took on a challenge: To rank every Beatles song written by the band from worst to first. What qualifies me to do such a thing? I know, I’m not a music critic. What I am is a die-hard Beatles fan who grew up obsessed with the band, reading anything and everything I could find about the band while listening to the albums over and over.

Here are the rules for this exercise, which we’ve done before with Bob Dylan’s songbook: No bootlegs, no live cuts, nothing from the Anthology collections and — this was tough — no covers of songs written by non-Beatles. It felt a little unfair to rank the Beatles singing other people’s songs, even if they were iconic. Anything that was released as a single, B-side or on an album is on this list.

I spent the last few weeks re-listening to every cut and I tried my best to get rid of personal bias, but it was tough. I also tried to comment on my bottom 10 and top 20, with some thoughts in between.

Ready? Step right this way …

(AP Photo, File)

189. You Know My Name (Look Up the Number)

It’s like Lennon and McCartney slapped together four different songs and repeated the same words over and over and over and over again. Is it supposed to be funny? Artsy? Whatever it is, it’s the worst thing the Beatles released.

188. Good Night

I know, harsh — it’s a lullaby. But it’s corny.

187. Flying

Magical Mystery Tour always felt all over the place as an album, and this instrumental track is just sort of blah.

186. Blue Jay Way

Don’t worry, Harrison’s songs will get some love later.

185. Octopus’s Garden

And zero offense to Starr, who wrote some good songs as a solo artist.

184. Real Love

I had mixed feelings about the remaining Beatles reuniting to record with audio from the late Lennon, but the other single produced by the group was much, much better than this tune.

183. Revolution 9

It would be so easy to rank this mishmash of sounds dead last, but I remember listening to this when I was younger and having the hair on the back of my neck stand up. That response is worth something.

182. Wild Honey Pie

It counts, and it’s a jarring little interlude on the otherwise sparkling White album.

181. All Together Now

Yes, it’s a kids’ song. I once heard it being sung by a bunch of kindergartners, and that was about the only time I enjoyed it.

180. Only a Northern Song

179. The Inner Light

Again: I am not anti-Harrison. But these two aren’t among his best.

178. Dig It

177. Misery

176. You Like Me Too Much

175. Thank You Girl

174. Love You To

173. What Goes On

Robert Hanashiro, USA TODAY Staff

172. Ask Me Why

171. Little Child

170. Not a Second Time

169. Hold Me Tight

168. There’s a Place

167. All I’ve Got to Do

166. P.S. I Love You

Seems blasphemous, but the Beatles wrote so many better songs than this early B-side.

165. It’s All Too Much

164. What You’re Doing

163. I’ll Get You

162. Baby, You’re a Rich Man

An earworm of a chorus, at least.

161. I Don’t Want to Spoil the Party

160. When I Get Home

159. Every Little Thing

158. Honey Pie

157. Think for Yourself

156. I Wanna Be Your Man

The Rolling Stones recorded it, but Ringo sang the heck out of the Beatles’ version and it’s so much better than what their British counterparts did with it.

https://www.youtube.com/watch?v=DJCkbbMnEPg

155. Old Brown Shoe

154. Don’t Bother Me

153. Free as a Bird

The video was pretty cool — it’s chock full of references to Beatles song titles and lyrics.

152. Now and Then

This was so hard to rank. On the one hand, it’s the Beatles’ final statement to the world, albeit using Lennon’s demo long after his shocking death in 1980. It’s so emotional to listen to, haunting and sad. Lyrically? It feels like an unfinished statement, a work in progress, which it was when Lennon put it on tape. But it’s still beautiful, particularly the harmonies that sound like the boys back in the late 1960s.

151. Don’t Pass Me By

150. Your Mother Should Know

149. From Me to You

(AP Photo/File)

148. Maxwell’s Silver Hammer

147. Glass Onion

146. Tell Me What You See

The start of a run on good, not great songs.

145. Any Time at All

144. Hey Bulldog

143. Things We Said Today

142. Yellow Submarine

I’ve heard it one too many times.

(AP Photo/File)

141. Why Don’t We Do It in the Road?

140. Within You Without You

139. I Need You

138. I’m Happy Just to Dance with You

137. Yes It Is

136. Wait

135. Run for Your Life

134. One After 909

133. The Night Before

132. If I Needed Someone

131. Everybody’s Got Something to Hide Except Me and My Monkey

There are some songs that aren’t lyrically that great but that are undeniably great tunes. This is one of them.

130. She’s a Woman

129. I Want to Tell You

128. You Won’t See Me

127. The Continuing Story of Bungalow Bill

126. Dig a Pony

125. Her Majesty

I know, it’s a tiny little fragment stuck on to the end of Abbey Road. But there’s something cool about this coming after The End, like a little encore, with a chord that never resolves, leaving us eternally wanting more. That’s the English major in me talking.

124. Ob-La-Di, Ob-La-Da

123. I Me Mine

122. I’ve Just Seen a Face

121. Rocky Raccoon 

120. This Boy

I’m a sucker for songs when John, Paul and George do three-part harmony together.

119. Sun King

Like in this one. Also, one additional challenge for this list: I decided to rank the songs on the Abbey Road medley separately.

118. Piggies

117. The Fool on the Hill

116. Savoy Truffle

115. Mother Nature’s Son

114. For You Blue

113. The Word

(Photo by Central Press/Getty Images)

112. Another Girl

111. Tell Me Why

110. Martha My Dear

Yeah, about that whole “getting rid of personal bias” thing … I will stand by the fact that this song is vastly underrated. I don’t care that the name Martha belonged to McCartney’s sheepdog.

109. It’s Only Love

108. You Can’t Do That

107. I Should Have Known Better

106. And I Love Her

105. I Call Your Name

Shoutout to the Mamas and the Papas, who did a solid take on this Lennon song.

104. I’m Down

103. Mean Mr. Mustard

AFP/Getty Images

102. Polythene Pam

So hard not to rank all the Abbey Road medley songs together … sorry.

101. Two of Us

100. Cry Baby Cry

99. And Your Bird Can Sing

98. Golden Slumbers

97. You’re Going to Lose That Girl

96. I’m Looking Through You

(AP Photo, File)

95. Good Morning, Good Morning

94. I’ll Cry Instead

93. I’ll Be Back

92. Sexy Sadie

Photo by HBO

91. Long, Long, Long

90. The Ballad of John and Yoko

89. Back in the USSR

88. Do You Want to Know a Secret?

An underrated number in the Beatles catalog.

87. Oh! Darling

86. Love Me Do

I had so much trouble figuring out how I felt about this song, it moved up and down the list before settling here. On one hand, it’s proof of how much the group grew as songwriters after this. On the other, it’s catchy.

85. Yer Blues

84. I’ve Got a Feeling

83. No Reply

There was a point where I didn’t listen to Beatles for Sale for a decade because it was my least favorite album. After listening to it again recently, I realized the trio of songs that lead off the LP (including this one, I’m a Loser and Baby’s in Black) are absolute gold.

82. I’m So Tired

81. It Won’t Be Long

80. Eight Days a Week

A song that I think is overrated but still lands in the top 100.

(AP Photo)

79. I Will

78. Lovely Rita

77. Doctor Robert

76. Birthday

Remember: Some songs don’t have great lyrics, but the tunes make you want to get up and dance.

LVCVA

75. Rain

74. Good Day Sunshine

73. Got to Get You Into My Life

72. I’m a Loser

The second of the Beatles For Sale trio — Lennon gets really dark: “I’m a loser and I’m not what I appear to be.”

71. Don’t Let Me Down

70. Magical Mystery Tour

69. She Came in Through the Bathroom Window

68. I Want You (She’s So Heavy)

Photo by Dan Harr/Invision/AP, File

67. The Long and Winding Road

Could have been so much better without Phil Spector’s “Wall of Sound” overwhelming it.

66. Getting Better

65. Carry That Weight

64. Being For the Benefit of Mr. Kite!

A song inspired by a real circus poster.

This is a frame grab from WEBTV series from Make Productions Vimeo Channel. In this short film, Beatles superfan Peter Dean sets out to recreate John Lennon’s circus poster that inspired the lyrics for the song ‘Being for the Benefit of Mr. Kite!’ HANDOUT

63. I Am the Walrus

62. Hello, Goodbye

61. She’s Leaving Home

When you realize the Beatles were in their mid-20s and wrote/recorded a song like this that had so much depth to it, it’s pretty mind-blowing.

60. She Loves You

I know how ground-breaking this song was, but again: There are better Beatles songs.

59. Baby’s in Black

58. If I Fell

57. Lady Madonna

56. You Never Give Me Your Money

55. When I’m Sixty-Four

McCartney wrote it when he was 16!

54. Here, There and Everywhere

53. Sgt. Pepper’s Lonely Hearts Club Band

52. Sgt Pepper’s Lonely Hearts Club Band (Reprise)

The album opener is great, but I think the reprise is juuust slightly better.

51. Because

50. Dear Prudence

49. Fixing a Hole

48. I’m Only Sleeping

47. Come Together

46. I Feel Fine

45. Michelle

44. She Said She Said

43. Julia

Only one word for it: Haunting.

42. Paperback Writer

41. Happiness is a Warm Gun

40. We Can Work it Out

Stevie Wonder’s version made it an entirely different song.

https://www.youtube.com/watch?v=dL1GzbUdtfg

39. Drive My Car

38. Girl

37. You’ve Got to Hide Your Love Away

I do love it when Lennon goes Dylan, as you’ll see.

36. Nowhere Man

35. Revolution 1

The “White Album” version of its harder-rocking counterpart that will make its appearance later. It’s a different recording and title. So it must be ranked separately, and the slower take is nearly as good as the single.

34. Day Tripper

33. All You Need is Love

32. Across the Universe

31. Helter Skelter

That’s right, Paul McCartney invented heavy metal!

30. Get Back

29. All My Loving

One of their most polished early songs, and I wonder if that’s why they led with it on The Ed Sullivan Show.

(AP Photo, File)

28. Please Please Me

27. I’ll Follow the Sun

26. With a Little Help from My Friends

Starr’s vocals are charming, but this is one of the rare times that they wrote a song that was recorded better by someone else: Joe Cocker. Am I biased because I grew up with this as the theme to The Wonder Years? Maybe.

25. Taxman

Revolver is mind-blowing, and it kicks off with Harrison at his most biting.

24. For No One

“Your day breaks, your mind aches. You find that all the words of kindness linger on when she no longer needs you.” Brilliance from McCartney.

23. Penny Lane

22. Strawberry Fields Forever

21. Lucy in the Sky with Diamonds

20. The End

What band ends their final recorded album (Abbey Road was released before Let It Be, even though most of the latter was recorded first) with the group trading guitar solos and Ringo’s only drum solo, along with an epitaph? “And in the end, the love you take is equal to the love you make.”

19. Ticket to Ride

The bridge could be its own song.

18. I Want to Hold Your Hand

If you wanted to explain to aliens who the Beatles were, this would be the first tune you’d play for them.

17. I Saw Her Standing There

The best “One, two, three, four!!!” count-off ever followed by this raw, scream-filled number with a lyric that’s been much-cited (“Well she was just seventeen, you know what I mean”) for being just enough of a wink to listeners, who get it without quite completely understanding what McCartney means.

16. Blackbird

Simple, gorgeous, and with a message to “take these broken wings and learn to fly.”

15. A Hard Day’s Night

Can’t hear this title track from their film debut without seeing the Beatles running from their screaming fans, which opens up the movie.

14. Can’t Buy Me Love

A bluesy, joyful tune with one of the best guitar solos Harrison ever recorded.

13. While My Guitar Gently Weeps

Harrison and guest star Eric Clapton wail.

12. Eleanor Rigby

“All the lonely people, where do they all come from?” Deep.

11. Norwegian Wood (This Bird Has Flown)

Lennon does his best Dylan. It starts as a pleasant song about an encounter with a woman and turns into something much more complex.

10. Let It Be

Of course there are religious overtones, but I also interpreted this as McCartney knowing the Beatles were on their way to splitting and telling himself to “let it be.”

9. Here Comes the Sun

The first of two Harrison-penned songs in the top 10.

8. Help!

A superior pop tune on its own, but when you find out that Lennon wrote it as a literal cry for help, it takes on a different meaning. Here’s what McCartney told People in 2015:

“Lennon later said, ‘I was fat and depressed, and I was crying out for help,’” McCartney said of his former band mate. “But looking back on it, John was always looking for help. He had [a paranoia] that people died when he was around I think John’s whole life was a cry for help.”

7. Tomorrow Never Knows

Too high, you say? No way. It sounds like a sample a DJ might put together today, which means it was 50 years ahead of its time. Also, it’s a part of one of the best scenes in Mad Men, in which the song is used to show just how much old fashioned Don Draper is completely out of his element in the mid-1960s. I can’t imagine how revolutionary this song must have sounded in 1966.

6. Yesterday

I don’t know what more there is to say about a song that’s been written about so much. The ranking speaks for itself.

5. Revolution

An absolute searing political message (although, don’t you know it’s gonna be all right?) surrounded by the group rocking out. A fiery combo.

4. Hey Jude

If you’re ever feeling down about something, just listen to this.

3. Something

The best love song the Beatles ever wrote … and it was written by Harrison. Frank Sinatra famously loved it and for good reason.

2. In My Life

A catchy riff, plus introspective, poignant lyrics, great harmonies and a funky beat, not to mention a sped up piano solo from producer George Martin (side note: Anyone who tells you the “fifth Beatle” is anyone but Martin is wrong). What more could you want?

1. A Day in the Life

I tried. I really did. I tried to see if I could think of a Beatles song that was better, mostly because if you polled 1,000 fans, I’d bet this song would come out on top. But there’s a reason for that, isn’t it? It’s not so much a song as it is a symphony. And this is the apex of the Lennon-McCartney partnership that produced so many amazing songs — John on the verse, Paul on the bridge, leading up to that thunderous piano chord that gives me chills nearly every time I hear it.

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Sam Harrop stars as perfect lyrical parodist in golf’s social media realm

Singing about Bryson, Brooks, Phil and more has led to a level of notoriety for this witty English golf fan.

When Sam Harrop first sat down in front of his piano to figure out how to convert pop songs into brain worms for golf fans, he never imagined it would lead to a putt-putt contest with a PGA Tour-quality player.

But after good-naturedly calling out Ben An’s stroke with a song set to the Beatles’ “Penny Lane,” – with lyrics such as “Benny An, he putts like he has got glass eyes. Please, just get some tips from Larry Mize.” – then playing said tune on the baby grand in the lobby of An’s home club at Lake Nona near Orlando, the Korn Ferry Tour player responded with a friendly challenge on Twitter.

“I saw he was in town, precisely in Lake Nona, so I tweeted half-jokingly, we need to have a putting contest,” said An, who would break a six-year winless slump with a Korn Ferry Tour victory two weeks later, “and Sam came up with an idea to have a putt-putt match. And I won, by the way.”

For a self-described “golf nerd” such as Harrop who records his tunes at home in the south of England, it was a once-in-a-lifetime experience despite the 3-and-1 loss at one of the Pirates Cove Adventure Golf locations in Orlando. And it’s all due to his clever golf lyrics in songs about PGA Tour, DP World Tour and LPGA players that led the Times of London to dub Harrop golf’s premier parodist.

“That’s completely nuts, the kind of thing that’s almost like a dream,” the 40-year-old Harrop said.

And it was a perfect illustration of how his songs have achieved must-see status for a die-hard contingency of Twitter-obsessed golf fans. Bryson DeChambeau, Brooks Koepka, Phil Mickelson, Louis Oosthuizen and plenty of other pros have been in Harrop’s lyrical crosshairs, and for many of the younger tour players, it’s a badge of honor to have Harrop include them in verse.

“I thought it was very funny,” the 30-year-old An – who has spent more than a decade bouncing around the PGA Tour, Korn Ferry Tour and recently rebranded DP World Tour – said of the song that made fun of his putting. “I knew it wasn’t personal, and everyone on my team thought it was funny. Even my wife did, too. It definitely is. You know you made it when he makes a song about you. And he only makes the songs to somewhat ‘nice’ guys who aren’t going to take it personally.”

DeChambeau and Mickelson might not feel the same after having been targets of parody, but the fans eat it up. Harrop has amassed a following into the tens of thousands on Twitter and Instagram, all eager for the next song. Even the pros are listening – and frequently responding. And while there have been other singers tackle golf in comedic fashion – think former PGA Tour player Peter Jacobsen and his group, Jake Trout and the Flounders – it’s Harrop’s uncanny social media ease and timing that have garnered so many views.

Not bad for a father of two young children in England who markets sheet music for a living.

“That’s honestly one of the best things about it,” Harrop said. “You have to realize, I came from basically being just a big golf fan, right, and a golf nerd just watching the golf every week. So going from that to having interactions with these players, with them either liking my videos or commenting on them or retweeting them, and these names flashing up saying something like ‘Nick Faldo just liked your video,’ it’s crazy. I just never really would have expected that.”

He knows his audience

Harrop is no novice when it comes to music, even though for most of his life it didn’t have anything to do with golf. He started piano lessons when he was 8 and also can play a mean cello, and he sang in choruses near home in England as a child. He studied music at the University of Southampton and played in bands and in bars throughout much of his 20s. He still is part of an acapella group in London that has been sidelined during COVID.

And he’s in no way new to social media. One of the bands in which he played keyboard, named RedBoxBlue, in 2008 became the first group to ever stream online gigs via Facebook. The band didn’t make it far, but that ingenuity is still evident in how Harrop approaches social media. He knows his audience, because really, he is a part of that same Twitter fan base that enjoys a fair amount of mostly lighthearted and entertaining snark.

“I sort of knew the small audience that I had would be receptive to those kinds of ‘in’ jokes, those little things that if you’re just a casual golf fan who just watches the majors, you probably wouldn’t understand a lot of it,” said Harrop, who used to write a golf betting blog. “There are always some niche references in there that I think only the real golf aficionados would appreciate.”

Things took off for Harrop in February of 2020 when he wrote “When Will Tony Finau Win Again,” set to the tune of REO Speedwagon’s “Can’t Fight This Feeling.” Finau was on a streak of not winning despite a run of close calls, but he got a kick out the song and retweeted at Harrop, asking for a remix if he ever managed to climb back into the winner’s circle. With more than 180,000 followers on Twitter, Finau’s retweet earned Harrop a following.

“The week after I did the song, Tony was interviewed on Sky Sports over here, and they asked him about the song,” Harrop said. “And he said something like, ‘Oh, I loved it, I was watching it with my uncle and we laughed the whole time.’ And I thought that was just really cool for him to be asked about the song and for him to respond about it so positively. That really kicked off the whole thing. It lent credibility to the reason I was doing the whole thing.”

Harrop lived up to his end of the bargain, rewriting his lyrics into “The Day That Tony Finau Won Again” after Finau’s victory in The Northern Trust on the PGA Tour in 2021.

After that early surge following Finau’s tweet, Harrop came up with songs about the DeChambeau/Koepka feud of 2021 that led to the Tour trying to calm down the man-spat – parody gold, it turned out. The lyrics were observant and sharp without ever diving into mean-spirited territory – and honestly, they were hilarious so long as you weren’t Bryson or Brooks.

His most recent song, “Growing the Game” set to America’s “Horse With No Name,” has been lauded by his fans – the song makes reference to players who have considered playing for a upstart Saudi-backed golf league and who frequently say they only want to grow the game internationally and aren’t in it for the money.

That song came shortly after Harrop briefly questioned Mickelson’s comments and plans to play for the proposed Saudi league – and he was added to a growing list of fans who were blocked on Twitter by the six-time major winner, though Harrop is quick to point out the song had been in development for weeks before he was blocked.

“I just put it on Twitter that as someone who basically grew up following Phil and being a big fan of his, that he keeps making comments now that make me question my allegiance,” Harrop said. “And apparently that was enough to get blocked. It seems like a lot of people have been blocked. I didn’t even tag him in my post, so it must be him or one of his team going through and searching his name and blocking anyone who posts anything even vaguely negative or challenging, which seems a bit extreme.”

A left-hander himself, Harrop had grown up as a major Mickelson fan. He grew interested in golf watching the European Tour and PGA Tour with his dad most weekends. The family would occasionally play a local pitch-and-putt, though full-size 18-hole rounds were rare. After not following the game as much in college, Harrop again became a fan and occasional player when teeing it up with roommates between musical gigs around London.

Twitter notoriety

These days, it’s fair to say Harrop’s best swings come via piano and not on the golf course. He’s happy to make a few pars, and he’s thrilled that his Twitter notoriety has earned a few tee times at top-tier courses, such as the round at Lake Nona before he played the baby grand and sang about An. Playing with rental clubs on the home course to many Orlando-based Tour pros, Harrop lost more balls than he made pars, but he smiled his way around the course before capping the round with a tee-ball blast straight down the middle on the 18th hole.

“There used to be a time when I would get angry on the course, and now I accept that I will never really be very good,” Harrop said. “And that has lifted a burden, and I’m just out to hit a few good shots and maybe make a couple pars and enjoy my friends.”

So as a golfer, Harrop is a very good piano player. It sometimes takes weeks to develop his lyrics, while other times he feels a time crunch based on current events.

“The song kind of has to match the player or the narrative, if you like,” he said. “If I’m doing a song that’s just about a player, I’ll do a bit of research about their background, like what college they went to, any sort of big wins they have, that sort of thing. Trying to make it into a story, in a kind of way.

“But then if it’s more of a reactionary song, like Finau winning again or the Brooks and Bryson feud or the Saudi ‘Growing the Game’ one, its looking through articles about that sort of topic. (Golfweek columnist) Eamon Lynch, for example, I went through a couple of his articles when I was putting together that Saudi song and picked out a few highlights and things that he quotes. I make a short list of reference I want to get into the song and then just kind of find a way to tie them in.”

What’s next for Harrop remains further up in the air than any 9-iron he might ever hit. He has performed songs for the U.S. Golf Association and Sky Sports, and he was in Orlando to play the opening of the PGA Merchandise Show in January. He hopes to keep singing about golf, and there could be a new podcast or online video program with him commenting on golf from home – he’s open to ideas, and his enthusiasm for the game is as catching as one of his tunes.

“It’s all slightly pinch-yourself kind of stuff, really,” he said. “It’s almost become slightly surreal, because I’m just a guy with a normal job and I just have this sort of little hobby.”

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The 10 best songs of the 2010s

Ranking the 10 best songs of the decade, from Lana Del Rey to Beyonce to Kendrick Lamar.

The decade is over, and in the spirit of pointless lists to pass some time, I’ve ranked what I feel are the ten best songs of the decade.

Seeing that I didn’t hear a lot of the music that was released this decade, and my taste is what it is, this is (of course) a completely subjective and imperfect list. That being said: I did try to put my personal biases aside. If it were really up to me, this would be ten weird punk songs that six of my friends and I know about. (That being said, everyone go listen to the band Pile. They’re good. I didn’t rank them, but you should all listen to Pile.)

Anyway. I tried to factor in cultural impact, popularity, and other stuff into the rankings. Some are more important than good. Others are just plain perfect songs.

Let’s get to the list.

Fair warning: A lot of these songs have explicit language. 

10. Lil Nas X — “Old Town Road”

Is this song country? Is it rap? Is it even a real song? Is it a meme? I still have no idea, and I suppose that’s the point. “Old Town Road” wasn’t so much a catchy song (though man, it was catchy), it was a statement about gatekeeping, and labels, and “authenticity,” and everything we’ve ever thought about music. There’s no set path anymore. There are no dues to be paid, for better or worse. You just create. And if people like it, you make a video with Billy Ray Cyrus.

9. Robyn — “Dancing On My Own”

Robyn’s “Dancing On My Own” isn’t just a perfect pop song (which it is) but it’s also a reclaiming of a personal narrative. Robyn burst onto the scene as part of the aughts pop movement, all boy bands and girl groups, then came back with … this. Digital, flawless, the song is one of independence and power.

8. Lana Del Rey — “Video Games”

LDR released a lot of great music this decade, but “Video Games” is still haunting me all these years later, a flawless piece of hopeless pop that summarizes just about every bad relationship any of us have ever been in.

With her sultry croon, LDR channels pop songs of the past to pay homage to her man, but does so with clear eyes: She knows he’s terrible, but she just can’t help herself.

7. Mark Ronson and Bruno Mars — “Uptown Funk”

Listen, say what you will about this song. It’s unoriginal, certainly, sugary to the point that it will give you a toothache. But here’s the thing: We will be listening to it at weddings until we croak. This is an all-timer pop song, whether any of us like it or not.

6. Beyonce — “All Night”

It’s unfair to limit Beyonce’s contribution to this list to just one song, but the song I will take with me from this decade is “All Night.” The penultimate song on Lemonade, an album about Bey reckoning with her husband’s infidelity, “All Night” shows the singer finding strength through forgiveness.

She knows what he’s done. She’s gone through the stages of grief, and anger, and has finally hit acceptance. She forgives him, not because she’s weak, but because she has made a choice, one out of strength. The video overlays videos of New Orleans finding a way to rebuild after Hurricane Katrina, a metaphor perhaps a bit too on the nose, but we’ll forgive it. Then the “Spottieottiedopaliscious” horns hit, and I’m a wreck.

5. Kanye West — “Runaway”

The plinking piano. That video, the stark images of the ballerinas with Kanye West and the ghostly voice of Pusha T. “Runaway” is the best track on My Beautiful Dark Twisted Fantasy, Kanye’s true masterpiece, his high point before everything went sideways. It feels nostalgic to listen to it now, but man, it’s still thrilling. One man still completely trusting his ear, and his vision. “Runaway” is a man captured at the absolute peak of his powers.

4. Titus Andronicus — “A More Perfect Union”

The Monitor, Titus Andronicus’ 2010 masterpiece, is a punk rock opus run through the lens of Springsteen. This song, to me, didn’t so much channel Springsteen as completely unmake his world, and capture our world in the process.

Springsteen felt sadness and desolation in his songs, so he hit the open road. In “A More Perfect Union,” Titus Andronicus frontman Patrick Stickles feels that same sadness and desolation, so he hits the open road … and then realizes “Oh wait … what have I done?”

It’s the scene in The Graduate where they finally run away together, flee the wedding, and then there’s a pause, and the moment when they are confronted with the horror of their decision.

The song has an intro written by Abraham Lincoln (seriously), a shoutout to the Fung Wah Bus, and multiple anthemic singalongs. It’s lasting worth, however, is the capturing of that fear. For a generation that was told by our parents: “Go and have your moments of rebellion, it’ll all work out,” only to find out it wouldn’t all work out, this spoke to us. Released at the height of the recession, Stickles belted out lyrics which captured our horror and our fear. “Tramps like us,” he sings, “baby we were born to die.”

3. Frank Ocean — “Bad Religion”

“Bad Religion” is the song where we got to meet Frank Ocean, got to know and understand him, and at the time, it felt like something big. It felt like something important.

The song’s plot is one any Ocean fan knows well: A man gets in a car and tries to escape his problems. But what makes this song so powerful is how it blends the tiny (a conversation with a cab driver) and the large (religion, sexuality, the pain of unrequited love) in a way that feels natural and earned.

As for how it applies to the 2010s: In the song, a man pours his heart out to a cab driver, revealing more to a stranger than he will to the people closest to him. What is the internet, if not for that?

2. Migos feat. Lil Uzi Vert — “Bad and Boujee”

“Bad and Boujee,” to me, is the song that took all the best moments of rap in the past decade and boiled them all down to their essence. It’s tossing out the cake mix and jamming your hand into the jar of frosting. This is Migos asking: “What if we made the whole plane out of the black box?

The triplets that Pusha T and others had peppered occasionally into their songs for years? Migos said eff it: We’ll just make the whole song those. Ad libs and call backs? Yep. They’re all in there too. Stuff ’em in. Forget waiting around for those cool moments that make your hair stand on end — the whole song will be goosebump-inducing.

Migos had been playing with these ideas for years, but on “Bad and Boujee” they perfected them. It’s their masterpiece. Toss in a perfect meme edit with Sid the Science Kid, and you’ve got everything you want in a song.

1. Kendrick Lamar — “Alright”

The best song of the 2010s is also the most important song of the 2010s, a song that captured the terror of being alive this decade, but packaged it with an audacious sentiment: We’re gonna be alright. 

Did Lamar actually believe those words? Unclear. The song is so interesting because, while there’s hope, he’s almost convincing himself of it in real time. “Do you hear me? Do you feel me?” he asks, as if to himself.

Lamar knows it’s necessary, to convince himself that they will, in fact, be alright. He knows it’s the only way to live. “I can see the evil,” he raps. He’s awake, not dreaming, and understands what’s going on around him. Yet, still, he chooses hope. What other choice does he have?

You can listen to a playlist of these songs on Spotify.