Gil Hanse, Jim Wagner restore Olympic Club’s Lake Course to historical glory

Gil Hanse and Jim Wagner looked to the past to set up Olympic Club for the future.

SAN FRANCISCO – From the first tee to the 18th green, golfers will notice plenty of differences on the recently renovated Lake Course at the Olympic Club, a layout that already had seen plenty of changes since it was first designed in 1924.

In 2020, Gil Hanse and Jim Wagner were hired to renovate the Lake Course, which has several top-tier professional and amateur events scheduled for coming years. The layout ranked No. 8 on Golfweek’s Best 2023 ranking of top private courses in California, and it was No. 44 on Golfweek’s Best 2023 list of all classic courses built before 1960 in the U.S.

As they did at several other major championship courses including 2023 U.S. Open host Los Angeles Country Club, Hanse and Wagner planned for the future by studying the past.

Hanse Design associate Tommy Naccarato said that meant researching old aerial photos from the 1920s and ‘30s as well as Spring Valley Water Company’s plans. That allowed the team to identify fairway bunkers that had been abandoned over the decades, and the historic research also provided clues on fairway widths, approaches and green surrounds.

Olympic Club Lake Course
The Spring Valley Water Company’s historical plans show the routing of the the Lake Course at Olympic Club. (Courtesy of Hanse Golf Course Design)

Ultimately the Hanse plan would call for the reintroduction of fairway bunkers on Nos. 4, 9, 14, 16, 17 and 18. Other refinements included the expansion of greens by roughly 33 percent to provide more pinnable space, widening fairways by roughly 25 percent to better fit the land, expanding approaches to greens to offer more ground-game options and converting numerous green surrounds from fairway to rough for consistency course-wide.

The final piece of the plan was the creation of a new seventh hole to better connect Nos. 6 and 8 after the 2009 shifting of the tees on No. 8. The new No. 7 remains an uphill and drivable par 4, but the green was shifted down a hill to the right. The tee shot offers numerous options, the best of which come when players challenge a new fairway bunker about 50 yards from the green, Hanse said via zoom at a September reopening event.

Olympic Club Lake Course
The land for the new No. 7 at Olympic Club’s Lake Course in San Francisco before the restoration by Gil Hanse and Jim Wagner (Courtesy of Hanse Golf Course Design)
Olympic Club Lake Course
No. 7 at Olympic Club’s Lake Course in San Francisco during the restoration by Gil Hanse and Jim Wagner (Courtesy of Hanse Golf Course Design)
Olympic Club Lake Course
No. 7 at Olympic Club’s Lake Course in San Francisco during the restoration by Gil Hanse and Jim Wagner (Courtesy of Hanse Golf Course Design)

Players can notice the differences from the first tee shot, where the removal of dense shrubs between the first tee and second green has opened a view across the property and down to Lake Merced, all the way to the 18th, where fairway bunkers were added and the green was expanded.

All told, the refinements have provided the Lake Course with a more consistent Golden Age look and feel as well as improved playability for day-to-day play.

The Lake Course offers a rich history that Hanse and Wagner were able to tap into. William Watson and Sam Whiting designed the first version of the Lake in 1924, but storm damage led to a Whiting redesign in 1927.

Starting in 1955 the Lake Course became a familiar home to USGA championships, hosting U.S. Opens in 1955, ‘66,  ‘87, ‘98 and 2012. It also hosted the U.S. Amateur in 1958, ‘81, and 2007, as well as the U.S. Women’s Open in 2021.

Throughout its championship history, plenty of work was done to the course while leaving the routing intact. Before the 1955 U.S. Open, architect Robert Trent Jones Sr. toughened the course. In 2009 the uphill par-3 eighth hole was shifted to the north and the greens were converted from poa to bent grass. And in 2016 a bunker renovation was executed under the direction of Bill Love.

Olympic Club Lake Course
No. 1 at Olympic Club’s Lake Course in San Francisco before the restoration by Gil Hanse and Jim Wagner (Courtesy of Hanse Golf Course Design)
Olympic Club Lake Course
No. 1 at Olympic Club’s Lake Course in San Francisco after the restoration by Gil Hanse and Jim Wagner (Courtesy of Hanse Golf Course Design)

The course played beautifully during a media event thanks to the work of director of grounds Troy Flanagan and his team that worked closely with Hanse’s team, including shaper Shaymus Maley who was on site every day throughout the project.

“Tapping into his knowledge and enthusiasm allowed us to do a better job and be much more responsive on how the golf course plays,” Hanse said of Flanagan. “I can’t think of better greens I’ve played on for an opening day.”

The praise of the course was music to the ears of Olympic Club president Jim Murphy, who led the club through what is always a nervous time for a membership.

“First there was uncertainty, then there was anticipation and now there is jubilation,” Murphy said of his members’ response to Hanse and Wagner’s work.

Those sentiments were echoed by longtime Golfweek’s Best rater and Olympic Club member Pat Murphy, who said, “I’ve been a member of the Olympic Club for 65 years, and previously served as green chair, on the board and as vice president. I feel this renovation has done a great job of honoring our past and positioning us for the future. The golf course is as beautiful, fun and engaging as it has ever been in all my years.”

Olympic Club Lake Course
No. 18 at Olympic Club’s Lake Course in San Francisco before the restoration by Gil Hanse and Jim Wagner (Courtesy of Hanse Golf Course Design)
Olympic Club Lake Course
No. 18 at Olympic Club’s Lake Course in San Francisco during the restoration by Gil Hanse and Jim Wagner (Courtesy of Hanse Golf Course Design)
Olympic Club Lake Course
No. 18 at Olympic Club’s Lake Course in San Francisco after the restoration by Gil Hanse and Jim Wagner (Courtesy of Hanse Golf Course Design)

There is no doubt the course refinements will be embraced by the membership, but perhaps the bigger question is how will the course play in championships. The Lake Course is set to host the 2025 U.S. Amateur, 2028 PGA Championship, 2030 U.S. Women’s Amateur and 2033 Ryder Cup.

The amateur events and the Ryder Cup should be able to tee off while maintaining the added fairway width thanks to their match-play formats. It will be interesting to see how chief championships officer Kerry Haigh and the PGA of America prepare the course for the 2028 PGA Championship, for which conventional wisdom would suggest the narrowing of fairways to add challenge. But a potential ball rollback, more hole locations from which to choose and more rough around the greens may see them embrace the added width – we can only hope.

Golfweek’s Best 2022: Top public and private courses in California

Pebble Beach is an obvious No. 1, but how do the rest of California’s course rankings shake out?

California’s lineup of public-access golf courses is one of the strongest in the U.S., with more than a few that even casual golf fans will have heard of. Pebble Beach Golf Links tops that list, of course, but which layouts follow?

With so many miles of staggering coast, it’s a lock that many oceanside courses will land on Golfweek’s Best Courses You Can Play list for public-access layouts in California. But it certainly isn’t a requirement. Keep scrolling to see them all.

Golfweek’s Best offers many lists of course rankings, with the list of top public-access courses in each state among the most popular. All the courses on this list allow public access in some fashion, be it standard daily green fees, through a resort or by staying at an affiliated hotel. If there’s a will, there’s a tee time.

Also popular are the Golfweek’s Best rankings of top private courses in each state, and that list is likewise included below.

MORE COURSES: Best Modern | Best Classic | Top 200 Resort|
Top 200 Residential | Top 100 Best You Can Play

(m): Modern course, built in or after 1960
(c): Classic course, built before 1960
Note: If there is a number in the parenthesis with the m or c, that indicates where that course ranks among Golfweek’s Best top 200 modern or classic courses.

U.S. Women’s Open tee times: At last! Korda sisters grouped together in opening round

Golf fans, rejoice! Sisters Jessica and Nelly Korda are grouped together for the first time in the opening round of a major.

SAN FRANCISCO – Golf fans (and Korda parents) rejoice! Sisters Jessica and Nelly Korda will be grouped together for the first time in the opening round of a major at the U.S. Women’s Open. The Kordas will tee off at 11:28 a.m. ET on Thursday at The Olympic Club alongside former U.S. Women’s Open champ So Yeon Ryu.

Paula Creamer and Cristie Kerr, two former champions who are competing this week on special exemptions, will tee off alongside Michelle Wie West at 4:40 p.m. ET in Round 1. Wie West lives 15 minutes from the course, and Creamer grew up in nearby Pleasanton, California.

Last year’s champion, A Lim Kim, will be joined by 2020’s Cinderella champion Sophia Popov, winner of the AIG Women’s British Open, and top-ranked amateur Rose Zhang at 5:02 p.m. ET.

At 11:17 a.m. ET, World No. 1 Jin Young Ko will tee off alongside fellow major champs Danielle Kang and Hannah Green.

Two-time U.S. Women’s Open winner Inbee Park will go off at 4:51 p.m. ET with Lydia Ko and Shanshan Feng, two major champions and former No. 1s still in search in their first USWO title.

Looking for power? Look no further than the 5:13 p.m. ET group of Brooke Henderson, Lexi Thompson and Patty Tavatanakit.

This marks the first women’s championship ever held on the Lake Course, which will play to a par 71 at 6,457 yards.

All times listed below are ET.


HOW TO WATCH: TV, streaming information


1st tee

Tee time Players
10:15 a.m. Christina Kim, Sarah Schmelzel, Jaclyn LaHa (a)
10:26 a.m. Bohyun Park (a), Kim Kaufman, Cheyenne Woods
10:37 a.m. Moriya Jutanugarn, Nanna Koerstz Madsen, Caroline Masson
10:48 a.m. Mi Hyang Lee, Amelia Garvey, Da Yeon Lee
10:59 a.m. Gina Kim (a), Jasmine Suwannapura, Angel Yin
11:10 a.m. Yealimi Noh, Kristen Gillman, Jennifer Song
11:21 a.m. In Gee Chun, Yuka Saso, Marina Alex
11:32 a.m. Amy Yang, Sung Hyun Park, Lizette Salas
11:43 a.m. Angela Stanford, Mirim Lee, Georgia Hall
11:54 a.m. Madelene Sagstrom, Gaby Lopez, Ana Pelaez Trivino (a)
12:05 p.m. Haley Moore, Jo Hua Hung (a), Haylee Harford
12:16 p.m. Chloe Kovelesky (a), Megan Osland, Britney Yada
12:27 p.m. Leonie Harm, Muni He, Claire Choi (a)
3:45 p.m. Sarah Burnham, Ruoning Yin, Jensen Castle (a)
3:56 p.m. Tiffany Chan, Megha Ganne (a), Matilda Castren
4:07 p.m. Amari Avery (a), Jenny Coleman, Lee-Anne Pace
4:18 p.m. Pernilla Lindberg, Kelly Tan, Pajaree Anannarukarn
4:29 p.m. Kaitlyn Papp, Carlota Ciganda, Stacy Lewis
4:40 p.m. Paula Creamer, Michelle Wie West, Cristie Kerr
4:51 p.m. Lydia Ko, Inbee Park, Shanshan Feng
5:02 p.m. A Lim Kim, Sophia Popov, Rose Zhang (a)
5:13 p.m. Brooke Henderson, Lexi Thompson, Patty Tavatanakit
5:24 p.m. Anna Nordqvist, Hinako Shibuno, Nasa Hataoka
5:35 p.m. Emma Talley, Monica Vaughn (a), Lucy Li
5:46 p.m. Leigha Devine (a), Maria Parra, Noemie Pare (a)
5:57 p.m. Rebecca Lee-Bentham, Kathleen Scavo, Chihiro Kogure (a)

10th tee

10 a.m. Mina Harigae, Aline Krauter (a), Pornanong Phatlum
10:11 a.m. Sarah Jane Smith, Kim Metraux, Gurleen Kaur (a)
10:22 a.m. Stephanie Meadow, Hee Young Park, Minami Katsu
10:33 a.m. Tsai-Ching Tseng (a), Luna Sobron Galmes, Ayako Uehara
10:44 a.m. Brittany Lang, Na Yeon Choi, Tsubasa Kajitani (a)
10:55 a.m. Ariya Jutanugarn, Amy Olson, Minjee Lee
11:06 a.m. Sei Young Kim, Rachel Heck (a), Mel Reid
11:17 a.m. Danielle Kang, Jin Young Ko, Hannah Green
11:28 a.m. Jessica Korda, Nelly Korda, So Yeon Ryu
11:39 a.m. Austin Ernst, Hyo Joo Kim, Jennifer Kupcho
11:50 a.m. Jeongeun Lee6, Ally Ewing, Charley Hull
12:01 p.m. Celine Herbin, Abbey Daniel (a), Giulia Molinaro
12:12 p.m. Natalie Srinivasan, Momoka Miyake, Karoline Tuttle (a)
3:30 p.m. Ssu Chia Cheng, Elizabeth Szokol, Emily Mahar (a)
3:41 p.m. Ingrid Gutierrez Nunez, Amanda Linner (a), Louise Stahle
3:52 p.m. Minori Nagano (a), Karolin Lampert, Wichanee Meechai
4:03 p.m. Alison Lee, Aneka Seumanutafa (a), Sarah Kemp
4:14 p.m. Wei-Ling Hsu, Lauren Stephenson, Linnea Strom
4:25 p.m. Eun Hee Ji, Maja Star, In-Kyung Kim
4:36 p.m. Celine Boutier, Megan Khang, Mi Jung Hur
4:47 p.m. Brittany Altomare, Ashleigh Buhai, Jodi Ewart Shadoff
4:58 p.m. Jenny Shin, Yu Liu Azahara Munoz
5:09 p.m. Xiyu Lin, Cheyenne Knight, Emily Kristine Pedersen
5:20 p.m. Addie Baggarly (a), Daniela Darquea, Hikari Kawamitsu
5:31 p.m. Nicole Garcia, Alyssa Lamoureux (a), Allie White
5:42 p.m. Isabella McCauley (a), Natsumi Nakanishi, Alexandra Swayne (a)

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An all-female crew will set up the Olympic Club for the U.S. Women’s Open. Sue Spahr is helping.

Sue Spahr is helping set up one of the toughest courses in the country for the toughest women’s tournament: The 2021 U.S. Women’s Open.

ROCKFORD, Illinois — For 28 years, Swanhills superintendent Sue Spahr has tried to make her Boone County course a fun track for golfers.

“This is the type of course I enjoy and want to stay at,” Spahr said. “We want to make it very golfer-friendly out here. We want to reduce the penal aspect of golf.”

Spahr’s next task, though, is on the opposite end of the golf spectrum. She’s helping set up one of the toughest courses in the country for the toughest women’s tournament: The 2021 U.S. Women’s Open at the famed Olympic Club in San Francisco.

“This is the only way this would ever happen for me, to be part of a course prep for a tournament,” Spahr said. “It’s phenomenal to experience how meticulous and how in-tune you have to be to prepare a course for a tournament like this.”

Sue Spahr has been the Swanhills Golf Course superintendent in Rockford, Illinois, for 28 years. She heads to San Francisco to help prepare for the U.S. Women’s Open later this month. (Contributed photo)

Troy Flanagan, the Olympic Club’s director of golf maintenance, came up with the idea of an all-women crew setting up the course for the world’s most prestigious women’s golf tournament. He invited 29 women course superintendents and greenskeepers to set up the course for the June 3-6 tournament.

Spahr leaves for San Francisco on May 30 and will return on June 5.

“It’s pretty phenomenal that Troy would take this on,” Spahr said. “As if there isn’t enough pressure itself hosting the tournament. And there are a lot of COVID restrictions, too. There are a lot of hoops he’s had to jump through to make this happen.

“We are supposed to have a lot of education out there also in addition to all the work we have to do. I just want to pay attention to how meticulous they are and bring back some tricks of the trade.”

https://www.instagram.com/p/CPI3bGfHirg/

Just don’t expect Spahr to ever set up Swanhills according to the specs she has gotten for the Olympic Club, where they want the first nine feet of rough to be mowed at 3 ¼ inches long and beyond nine feet at 4 ¼ inches and the greens to register a lighting-fast 12.6 on the Stimpmeter.

“They also put down several fertilizer apps on their rough, so it’s going to be really thick. That is some pretty intense rough,” Spahr said. “We maintain ours at 2 ½ inches. That’s plenty hard enough.

“And I won’t bring back their green speeds. We go for pretty greens.”

Matt Trowbridge is a reporter for the Rockford Register-Star, part of the USA Today Network. Follow him: @matttrowbridge

Photographer Evan Schiller shares the shots that show how beautiful this game can be

From California to Ireland and all points elsewhere, Evan Schiller takes photos that make the game of golf look better.

Anybody can take a picture of a golf hole with a smartphone. Quick glance at the framing in broad daylight. Try to get some background. Push the button. Easy.

But to capture golf courses in the best light consistently, to wait out the weather and the clouds, to frame a shot in such a way that golfers will spend hundreds of dollars or more to hang a print on their walls at home? That’s art.

Evan Schiller has been such an artist for decades. His photos have graced the covers of too many magazines to count, been featured on websites, are sold in pro shops and wow golf fans on social media. Schiller is one of just a handful of accomplished photographers specializing in commercial course photography that makes the rest of want to climb into an airplane to reach the best destinations in the game.

And there’s a lot more to it than just snapping a quick photo. He typically is hired well in advance by customers with high expectations. He shares his shots with the courses and sells them to consumers on his website, evanschillerphotography.com. On site at a course, he typically spends days looking for just the right shots at the perfect angles in flattering light. He uses traditional cameras and, in recent years, drones to make those shots happen.

No. 3 at Ballyneal in Colorado (Courtesy of Evan Schiller)

Schiller has a long track record in golf, both as a player and a club pro before hanging out his shingle as a photographer. He played on the college squads at Tulane and the University of Miami, where he teamed up with Woody Austin and Nathaniel Crosby. He played the mini-tours and plenty of state opens after college, going so far as the South African Tour in the 1980s. He then took his first club job at Quaker Ridge Golf Club in New York, later moving to Westchester Country Club. And that is where his love for photography blossomed.

His new website features more than 800 photos for sale on a variety of paper and other mediums. They are even available as MetalPrints, for which dye is infused directly onto specially coated aluminum to create a beautiful luminescence. The courses he has shot include many among Golfweek’s Best lists of top courses. Think Bandon Dunes, Pebble Beach, St. Andrews and the like.

The devil is in the detail for these kinds of high-level photos. Lighting is crucial to show the ground contours, and capturing just the right clouds can make or break a shot. It takes days of planning and sometimes a bit of luck with the weather, and frequently there are just minutes available in a given day when it all comes together perfectly. And Schiller has to coordinate it all with course operators and ground crews, going so far as to ensure that nobody has driven any machinery on a given hole before he arrives in the morning, thus leaving unsightly tire tracks in the dew. There’s a lot more to it than pushing a button.

The affable Schiller recently shared what goes on behind the scenes to make it all come together, on demand, time and again. The following are excerpts from that interview.

Cristie Kerr, 43, awarded special exemption into U.S. Women’s Open field at The Olympic Club

Cristie Kerr joins fellow former champion Paula Creamer as the two special exemptions into the U.S. Women’s Open in June in San Francisco.

Cristie Kerr has accepted a special exemption into the 76th U.S. Women’s Open, the USGA announced Monday.

Kerr, 43, will make her 24th consecutive start in the championship June 3-6 at The Olympic Club’s Lake Course in San Francisco.

Kerr won the 2007 U.S. Women’s Open at Pine Needles Lodge and Golf Club in Southern Pines, North Carolina. The championship returns there for a record fourth time in 2022. She has eight top-10 finishes, the most recent coming at the 2016 USWO at CordeValle in San Martin, California.

“Winning the U.S. Women’s Open at Pine Needles was a career- and life-changing moment,” said Kerr. “I’m grateful to everyone at the USGA for this special exemption and the opportunity to continue to play in what I consider our sport’s greatest championship. I can’t wait to arrive at The Olympic Club and tee it up in my 26th U.S. Women’s Open.”

Last week, 2010 USWO winner Paula Creamer accepted a special exemption to compete in this year’s championship. Creamer, 34, grew up in Pleasanton, California, less than 50 miles from the historic venue. She’s had five top-10 finishes and 11 top-20 finishes in her 17 USWO career starts, including a victory at Oakmont.

Kerr’s special exemption brings the total to 13 U.S. Women’s Open champions in the field.

Prior to Creamer, two-time champion Karrie Webb of Australia was the last player to receive a special exemption into the U.S. Women’s Open, in 2018 at Shoal Creek in Alabama. The two most recent special exemptions before Webb were given to Se Ri Pak in 2016 at CordeValle and Juli Inkster in 2013 at Sebonack Golf Club in Southampton, New York.

Kerr, a 20-time winner on the LPGA and former World No. 1, has made six starts on tour this season, with her best, a tie for 28th, coming at the ANA Inspiration.

‘Finally!’ LPGA rookie Haley Moore set to make U.S. Women’s Open debut at Olympic

LPGA rookie Haley Moore will “finally” make her U.S. Women’s Open debut after qualifying for the 2021 event at Olympic Club.

The first time Haley Moore tried to qualify for the U.S. Women’s Open was 2014. She has basically tried every year since (sectional qualifying was canceled last year due to COVID-19) and really only came close once.

One thing Moore, 22, has learned over the years is that even par tends to turn out pretty well at these 36-hole marathons.

When Moore made the turn for the last time at Brentwood Country Club on Monday, the wind had died down. She was 3-over par and knew that, with one reachable par 5 and one that she could get close, there was a chance that she could make a big move.

Birdies on three of her last five holes put Moore at even-par 144 for the tournament after rounds of 74-70.

“I think the waiting game is probably the hardest part,” said Moore, who was in the fourth group off.

“By the time I was done the wind was dead, there was absolutely nothing. I thought OK, these girls are going to have a good advantage with no wind.”

When the waiting was over, Moore wound up taking medalist honors with fellow LPGA player Jenny Coleman and amateur Amari Avery, another plyer who will make her USWO debut June 3-6 at Olympic Club.

“I would say this is my sixth or seventh year,” said Moore of her qualifying attempts. “Finally!”

A three-for-one playoff that lasted four holes and spilled over into Tuesday saw USC’s Amelia Garvey edge out teammate Katherine Muzi and Anne van Dam for the final spot.

Players were only allowed a practice round at Brentwood if it was arranged by a member due to COVID-19 protocols. Moore happened to know a member and said last week’s first look came up huge. It also helped that she was paired with UCLA’s Emma Spitz. Because the Bruins sometimes practice at Brentwood, Moore made it a point to pay close attention to how Spitz attacked the course over the first 18 holes.

Moore lives in Escondido, California, and said she’d love to get up to see Olympic in advance of her first USWO. She’s well aware of the history there and is excited to try the famed burger dogs.

The former Arizona Wildcat has had longtime family friend James Eidson on the bag for the 36-hole qualifier as well as the LPGA’s West Coast swing. They played out of the same country club in California, and Eidson was the strength coach for the football team at Moore’s high school.

“He knew in middle school what I had gone through,” said Moore of the bullying she had endured, “and was always making sure I was OK.

“He would always make sure nobody was picking on me or anything.”

A protector turned teammate who will next help Moore navigate the game’s biggest stage.

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