Gary Payton Q&A: ‘Marcus Smart and Patrick Beverley remind my of myself’

Gary Payton is one of the best defenders in NBA history and one of the game’s all-time great point guards. The Hall of Famer impacted games in many ways, as evidenced by his career stats: He ranks fourth all-time in steals (2,445), 10th all-time in …

Gary Payton is one of the best defenders in NBA history and one of the game’s all-time great point guards. The Hall of Famer impacted games in many ways, as evidenced by his career stats: He ranks fourth all-time in steals (2,445), 10th all-time in assists (8,966) and 38th all-time in points (21,813).

In addition to earning Defensive Player of the Year honors in 1996, Payton made nine All-NBA Teams and nine All-Defensive First Teams. He was also a nine-time All-Star, and the NBA recently made him available to encourage fans to vote for the 2020 All-Star Game starters before the deadline on Jan. 20. Fans can vote on NBA.com, on the NBA app or on Google.

HoopsHype spoke one-on-one with Payton and the NBA legend was extremely candid and honest throughout the conversation.

You’re one of the all-time great trash talkers in professional sports. Were there ever any opponents who surprised you with their trash talk? Any guys who chirped back when you didn’t expect it?

GP: (Laughs) Well, whoever I went at didn’t usually come back at me. Reggie Miller’s trash-talking was good, Michael Jordan’s was good. I only got to see Larry Bird twice in two years and he was hurt, really, most of the time. But when he did get on the floor with me, he had a lot of nice ones. He was a chatterbox and I didn’t really know he was like that. But he was! He was cocky and arrogant; he’d go at you and tell you where he was going to shoot it and tell you that he was going to shoot in your face, you know what I’m saying? Those three were the main ones, basically. Then, Kevin Garnett got onto the scene and he would start with his talking. Those were the main ones. Those four guys were the ones who I really wanted to go up against because I knew there’d be some chatter back. Most guys wouldn’t say anything or, if they did, their coach would tell them to be quiet and leave me alone because they didn’t want to wake up the beast. It was one of them things. But it was them four that I really looked forward to playing against.

Do random people ever come up to you on the street and talk trash to you, just so they can say that they’ve talked trash to Gary Payton?

GP: Yeah, that’s a lot of people’s main thing. They’ll see me somewhere and then they’ll say something to try to get me to go back and forth with them. Then, they’re like, “This is all I wanted! This is why I came up to you! They always say that you trash-talked a lot on the court, so we wanted to hear it and see if you trash talk everywhere!” You know if it’s someone who is trying to egg you on to do something. A lot of people, a lot of fans, will do things just because they want to see if they can push your buttons. Sometimes, you’ll go along with it and have fun with it; sometimes, you just have to let it go because some people let it get out of hand. But, yes, it does happen.

You did a phenomenal job of locking up Michael Jordan in the 1996 NBA Finals. It may be one of the best defensive efforts against Jordan. What were those battles with MJ like and do you take pride in the fact that you were one of the toughest defensive matchups he faced?

GP: It was just a challenge. It was like… He was the best offensive player and I was the best defensive player. It was just a challenge. I looked forward to those matchups all the time because I knew if I talked to him, he was going to talk back and we were going to go at it. That would make TV [ratings] go up and a lot of things go up; that’s what we were doing. Then, I would make it a point to challenge myself. I’d think, “I know I can’t stop him, but I can contain him.” You know you’re not going to stop him altogether – that’s not going to happen – so you just focus on how you can slow him down. If he’s usually scoring 35 or 40 points per night, can I hold him to 23 or 24 points? Yeah, I could. I would just make things a little bit difficult for him. If you let any great player be comfortable, they’re going to dominate you. If you take them out of their comfort zone and make them do things that they aren’t used to doing, you’re going to be effective. That’s all I’d try to do with Michael. I tried to pressure him and make it really difficult for him to get the basketball. Then, if he got the basketball, I’d just be a gnat. If you make him miss a couple shots and then you go down on the other end of the floor and you’re scoring on him when he’s guarding you, he’s going to want to come back and go right at you. They get frustrated when the last four or five trips down the floor, I’m scoring and they’re not, especially if the referees aren’t calling anything for them. That’s all I’d try to do. I wanted to get under his skin a bit and see what happens.

When I interviewed Ron Harper, he said that trash-talking would sometimes cause Michael Jordan to flip a switch and take his game to another level. You obviously had a lot of success against Jordan, but did you ever hold back against certain players (or at certain times) because talking trash may have fired your opponent up and helped them? 

GP: I didn’t care. That was my whole thing, going in every night and trash-talking because… what can you do? Can you out-talk me? Are you going to get frustrated? Are you going to be focused enough to not concentrate on me throughout the entire game? Because I’m going to continue to talk and continue to play well. I’m going to play well because that’s my game. I never went into a game like, “Let me not talk to this guy.” None of my teammates or coaches ever said that either. They’d say, “Let’s just let Gary do what he do.” That’s what I did. That was my game-plan. I want to get my opponent in a different state of mind. If they’re focusing on me instead of their teammates and the game-plan, I got you. I’m going to trap you in, and then you’re about to get subbed out in a minute because you’re going to start making a lot of mistakes. That was my whole approach.

When I spoke with Michael Cooper, we discussed how he’d fare as a defender in today’s NBA. He said that even though he couldn’t be as physical these days, he’d still lock down today’s stars because of his length and speed. He said Kevin Durant would give him trouble, but he could cover anyone else. Do you ever think about how you’d fare in today’s NBA, defending guys like James Harden and Stephen Curry?

GP: The younger guys always say, “Well, in your era, you guys couldn’t do this or that.” If that’s the case, I wish you could come to our era and play in our era. I wish we had a time machine so that we could put them in our era and see how they would fare. Sometimes, they say, “Well, you couldn’t play in this era because of the shooting and scoring!” Well, when we were in our early 20s, we were pretty athletic and dominant too; that’s why you know about us. It’s just changed. You can’t put your hands on guys. The league is about scoring; they want you to score and they want to run up the points, so it’s entertaining. In our era, we were talking about locking guys down. We were talking about beating you up. We were talking about putting you on your back if you tried to come in the paint and dunk. We wanted you to think that you may get hurt every time you came in the paint. You know what I’m saying? Now, that will get you a flagrant or get you kicked out of the game and they may even suspend you after evaluating it. We didn’t have all of that. We’d put you on your back, they’d look at it and then you’d go on about your business. It’s just so different.

If I played in this era, I would adjust to it. If I played now, the first thing I’d do is go straight to the referees and say, “Look, here’s how I’m going to play. Make sure you let me play defense. If you’re going to let them play offense, let me play defense.” It’s just like what Patrick Beverley is doing right now. He gets into you and, because the referees know what he’s doing and how he plays, they let him play. You just have to get to the point where the refs know how you play, so they adjust. I would probably go talk to all of the refs before every game like, “You know how I play. If you want this game to be okay, let me play defense like you let him play offense. Now, if he pushes off, call it. If I foul him, call it. But let us play.” And then I’m going to go back at my guy on the other end and see if he can guard me. That’s a big difference from our era: We wanted to go back at the player who was scoring on us. Now, there’s all of the switching and stuff. We wouldn’t have played that way. I’m going at that guy, locking him down and making some else beat us.

Are there any current NBA players who remind you of yourself in terms of their game or tenacity? You mentioned Pat Beverley, so I’m guessing he’s one.

GP: There are two: Marcus Smart and Patrick Beverley. They both remind me of myself. They’ll go at you. Beverley is a little bit different because he doesn’t have the offensive game that I had. But Marcus is starting to become that kind of player – he’s starting to score and shoot the ball. But both of them are dogs on the defensive end. My son, [Gary Payton II], has a little of that in him and he’s doing the same thing. He can get at you when he wants to and he’s long for someone who’s 6-foot-3, so his length with hurt you too. When you have them type of guys who can play defense that type of way, it’s always a bonus for their team. When you have a guy who can lock down like that, he’s always giving you great stuff on that end. But can they give you something on the other end? All three of them need to work on their offense. My son needs to work on it, Pat needs to work on it and Marcus is starting to become a good scorer to be a two-way player, but he’s still working on it too. But those three guys remind me of myself defensively.

Last year, Tim Hardaway told me that he used to be really tough on his son, Tim Jr., to the point that they no longer discuss basketball because they agreed it was ruining their relationship. I’ve read that you were very tough on your son, Gary Payton II, and you even walked out of one of his high school games because you weren’t impressed with his effort. You obviously have so much information that you want to share with your son, but how do you find the right balance between pushing him really hard and giving him space to learn on his own?

GP: That’s a good question. It was the same way with me; I was the same way Tim was. I pressed my son too much. He was around basketball all the time and he got pressed a lot. It’s one of those things where you can steer your son away from loving the game of basketball. My son stopped liking it. As of today, he listens, but he don’t listen. It’s gotta come from somebody else. Then, when they don’t make it and they aren’t productive like they want to, you want to go say, “See, what did I tell you? Why don’t you want to listen to me?” But that’s not the right thing to do. So I’ve backed off from my son. When he calls me, if he calls me, I’ll say what I say and then leave it alone. I won’t even go into it anymore. Now that he’s got his guaranteed contract for the first time and he’s staying up, I told him, “You should’ve been doing this since day one.” But they always got excuses. This is a different era and they always got excuses, man. “They should’ve let me play!” or, “They let me play, but [they should’ve] let me do this or that!” It’s not about all that. It’s about seeing what the coach wants and doing it, doing what the organization wants. But, nowadays, I just let him do what he gotta do and however he wants to do it. I just don’t want to stray him away from nothing. And it is hard to listen to the caliber of father than I am, with what I did in the NBA and what I’ve become. It’s hard to do that, especially being named after me. It’s kind of hard and now, I just let it go. I just try to support him. If he calls and wants to talk about something, then I’ll talk about it. Other than that, I don’t call him after games or anything like that; I don’t do that anymore.

Photo by Otto Greule Jr/Getty Images

You’re ambidextrous; you write with your left hand and shoot with your right hand. Obviously, a lot of NBA players learn to be effective with both hands, but you were actually born ambidextrous, so how much do you think that helped you in the NBA?

GP: That was just natural. I can bat on both sides. I shoot pool with my left and write with my left. I can throw left or right. It’s just something that came to me and then, I broke my right thumb when I was young. I had a cast on, so I played with my left hand during that time. That came easy to me. Then, when I got the pros, I posted up on my left side all the time and threw up shots, scoops, hooks or whatever I needed with my left hand. It’s just something that came to me and I was always happy that I could do things with both. Now, it’s still the same thing. People will say, “Why don’t you shoot with your left? Why are you doing that?” When I play Pop-A-Shot in an arcade, people will say, “You’re right-handed, so only shoot with your left!” And I’ll go, “Okay, I’ll shoot with my left!” They don’t read up on me! Then, after the game, they’re like, “Oh man, you’re making even more with your left!” Then, I’ll tell them, “I’m kind of left-handed, if you think about it.” Some people have looked and seen that my watch is on my right side, so they’ll ask, “Are you left-handed?” And I’m like, “Duh!” It’s just kind of fun to mess with people. (Laughs)

I wrote about Seattle’s basketball culture and how Jamal Crawford helps the next generation of Seattle players by training with them and mentoring them. He’s even let some prospects live with him. Jamal said that he’s just passing on what you and Doug Christie did for him when he was young. He said that when he was 15 years old, you guys helped him a lot and let him train with you. Do you remember getting to know Jamal as a teen and how nice is it to see that he’s been able to pay it forward and do the same thing for many young players?

GP: I basically helped raise Jamal. Jamal lived with me for a little bit when he came out of Michigan for one year of college. It’s a great feeling to see a kid like him, who’s so humble, give back to Seattle and do those things. I always knew he was going to be one of a kind because he would always listen and he was so humble. He was never talking about how good he was. And he was so knowledgeable, even when he was younger. What he’d do is pick your brain. Anytime there was an older guy or a veteran around, he would ask questions and try to learn different ways that he could better himself. Now, to see him grooming other players and doing the same stuff that we taught him, it’s a special thing. It’s nice to be able to look at him and say, “He listened! He learned it!” We just wanted to help him. Now, he’s doing that for other guys – and they’re going to listen to him and learn from him, so that they can be the next guys who do this and help the next generation.

Speaking of Seattle, what would it mean for you to stand in Key Arena and have your jersey retired in front of those fans at some point in the future?

GP: It would mean a lot to me. Those fans really were the ones who made everything happen for me. I was there for 13 seasons and that’s where I became a Hall of Famer. And the fans deserve it. I think they deserve to see that happen, just like they deserve to see Shawn Kemp’s jersey raised up and Detlef Schrempf’s jersey raised up – not just mine. You know what I’m saying? It would be great for those fans to see that and feel that because I know they’d go crazy, and it would be a great moment for myself too. I hope that we have an opportunity to do that. I do think it will come. I think basketball will get back to Seattle.

You’ve gotten involved with the fight to bring the NBA back to Seattle and you’ve said that the city could have a team in the next three-to-four years. Do you still think Seattle will get a team in the next few years and what are some things Seattle is doing to become even more appealing?

GP: I’m involved in that. We have a team of people who are really involved with that and we’re talking with Adam [Silver] all the time. We’re getting there. First of all, we have to make sure that we have an arena to play in. Key Arena is getting revamped for the hockey team that’s going to be there in 2021. After that, a lot of other little things have to happen like the TV deal has to come up again and we have to see if we can get a basketball team. They know. Like I said, Adam Silver is listening. We have a group that I’m a part of that is really, really working on it, so we just have to hope that it happens. We’re just laying low right because we want to make sure that everything is right so that when we that time comes and we do get that opportunity, they can be ready to move right in and give us that team.

I loved seeing you and Shawn Kemp back together for ESPN’s recent Monday Night Football intro prior to the Seahawks-Vikings game. It generated a huge response among fans too. How did that idea come together and what did you think of the fan reaction?

GP: It was something that the guys ESPN came up with and they got in touch with me and my people. Kenny Mayne from ESPN was really the one who really got it started. He told them, “I’ll get in touch with Gary,” because me and Kenny are really tight. He got in touch with me and when I heard the concept, I thought, “That’s great.” I knew it would trigger a lot of [nostalgia] and feelings about the Sonics. People hadn’t seen Shawn and I together in a long period of time. To see us doing that for the Seahawks and getting the fans ready for Monday Night Football against Minnesota, it was fun.

You reached the NBA Finals with three different teams – the 1996 Sonics (with Kemp), the 2004 Lakers (with Kobe Bryant, Shaquille O’Neal and Karl Malone) and the 2006 Heat (with Shaq and Dwyane Wade). Having seen what it took for three different franchises to reach the Finals, what would you say are the biggest keys to a team advancing that deep? Are there any specific characteristics that all three of those teams had in common?

GP: The Seattle team was a little bit different because we were already really good all year. We were really, really good. The other two teams, the Heat and the Lakers, we struggled, but then we got into a rhythm. When you get into a rhythm and get everyone on the same page at the end of the year, anything can happen. At the beginning of the year with that Lakers team, we were good and then Karl Malone got hurt so we went through a lull. I played all 82 games that year, but the other three guys didn’t play as many games and so we needed other players to step up. Then, we got into a rhythm and our team got that unity.

With the 1996 Sonics team, we were already there. We were the No. 2 team in the NBA right behind Chicago; people don’t remember that we won 64 games that year and they won 72, so we weren’t too far behind them. We beat them once during the season too, so we were one of their 10 losses. To me, you have to be in a rhythm at the end of the season, unless you’re a great team that wins all season long – like this Milwaukee team. This Bucks team can win a championship; they’re playing like we were in ’96, playing great all season. To me, you have to be in a rhythm and you have to be together. You need everyone to be clicking and playing well at the same time. That’s what we did in Miami, that’s what we did with the Lakers and that was happening the whole season in Seattle. The two Finals losses is that we just couldn’t overcome a great team. Detroit was playing really well to beat us in 2004. With Chicago in 1996, we [showed up] too late against them. We got over the hump in Miami in 2006 because we were able to take down that Dallas team. But I think rhythm and unity is what it’s all about.

You, Jason Kidd and Damian Lillard are all from Oakland. I know you really pushed Kidd when he was in high school, making him better and toughening him up, and you’ve mentored Lillard too. All three of you guys play have a similar poise and swagger. Why do you think Oakland keeps producing superstar point guards and would you agree that there are certain characteristics that you guys have in common because of your similar backgrounds? 

GP: Yeah, I think we have a chip on our shoulder because of where we come from. You come out of the neighborhood and you’re always hearing about New York, Philly, L.A. and people say, “They’ve got the best basketball players!” You always hear that. I always said, “Well, why don’t you come down to the North. Come to Northern California! Let’s see what you can do here and see if you can do the same things you do everywhere else.” A lot of people come to Northern California and then they get these guards like us and they’re like, “Whoa!” But we’re not really pressed with all that. When you’re from this neighborhood, you go to different blocks and you go up against different players and we prove ourselves. I think we all have a chip on our shoulder and we want to prove everybody wrong. That’s what we do. We also had JR Rider, Antonio Davis… A lot of people don’t know this, but Bill Russell grew up in Oakland. Paul Silas grew up in Oakland. We have a lot of great basketball players, great baseball players, great people coming out of Oakland. It’s just that we don’t need to prove nothing until we get to the highest level. Go ahead and overlook us, but then look what happens. You end up with two Hall of Famers in me and Jason, and Dame is going to be one too. We just have a chip on our shoulder because people want to overlook us.

Duncan Robinson: ‘My mantra is to stack as many good days as possible’

Miami Heat sophomore wing Duncan Robinson was never expected to be a starter in the NBA when he played Division III basketball in college.

Miami Heat sophomore wing Duncan Robinson was never expected to be a starter in the NBA when he played Division III basketball in college.

But he was the DIII Rookie of the Year in 2014 and then transferred to the University of Michigan, where he eventually played in the NCAA national title in 2018.

“This guy, along with several other players in that locker room, put a ridiculous amount of time into this team and into their improvement when no one is watching,” explained Miami heat head coach Erik Spoelstra.

Robinson is averaging 1.24 points per possession so far this season, per Synergy, which ranks in the 99th percentile among all players in the NBA. Meanwhile, no one in the league has scored more points than Robinson has (7.9 PPG) off the catch in a set offense.

Those numbers have helped him appear as a starter in 34 of his 39 games for Miami so far this season.

“That shot does not happen by accident,” continued Spoelstra. “A lot of that happened before he even got here. He learned how to become a pro shooter in our system but he’s got a tremendous work ethic and he is persistent. This league is tough. The competition is tough. You’re not going to have great nights every single night. He’s had some tough ones but he’s been persistent. That’s one of the words I think about with Duncan when I think of him. He’s just going to keep on going.”

We spoke to Robinson before his game against Brooklyn Nets about how he has been able to have the success he has had for Miami so far this season.

What are some of the things that you did during the offseason to help prepare for the new role you’ve had with the Heat?

Duncan Robinson: Probably the biggest adjustment was my body and just trying to prepare physically to play an 82-game season on both ends of the floor. I put on about 10-15 pounds. I am always continuing to work on my ability to shoot on the move. Shoot my away shots, shoot in transition, that sort of thing, because I knew I wasn’t just going to be able to catch and shoot.

You have done a lot of shooting in transition and off the dribble. What are some of the things that you work on to do that?

DR: Just a lot of repetitions. Getting comfortable shooting, sprinting and shooting. It’s an adjustment, just because all my life I was just a floor spacer, standing still in the corner, on the wing, spaced out. So now I’m working on just having an understanding of the different actions that I’d be put in and then putting in repetitions with those.

What are some of the things that you picked in the G League on the Sioux Falls Skyforce that helped you get to where you are today? You were dominant out there but it was a different offense.

DR: I learned how to get my shots off, like you said, as a key point in that offense. A lot of times, teams were trying to scheme to take away my catch-and-shoots. So I was learning how to still get shots off and be creative while screening off the ball, setting picks, stuff like that. Just finding ways to get an opportunity.

What are some of the things that have surprised you most about Miami’s conditioning and the way Miami practices? It’s known around the league as being one of the more intense ones.

DR: Just the consistency of every single day. They preach it every single day and they hold you accountable to it every single day. We’re always having weigh-ins and that sort of thing. There’s a big emphasis on it and they take a lot of pride in it.

I spoke to Coach Spoelstra a bit before the game and he said that the word he thinks of with you is persistence. What does that mean to you in terms of your game?

DR: It means a lot because I feel like Coach Spoelstra exemplifies persistence as well. Honestly, he shows up every single day. He preaches it to us but that’s because he practices it. My mantra is to stack as many good days as possible. You’re not going to become a different player overnight but if you continue to stack good days on top of each other, you’re going to have something to show for it.

How did playing at the University of Michigan help prepare you for this kind of a role that you’re in now?

DR: They prepared me a lot. Obviously, being on a winning team and a part of a winning program, learning how to buy into a role, I developed a lot as a player at Michigan. A lot of credit to Coach Beilein at his staff, from the head coach all the way to the assistants. I made a lot of strides at Michigan and I’m just trying to continue that trajectory.

How did you and Caris LeVert push each other while you were there? I’m sure you had a chance to catch up with him a little bit before the game against the Nets.

DR: Yeah. Caris is my guy, man. We’re still really close. We stay in touch all the time. When you talk about two competitive people and two people that love being in the gym, that’s us. So we had a lot of one-on-one games, a lot of shooting competitions. Sometimes, also just the competitive nature of him getting a workout inspired me wanting to get one in too. I never wanted to feel like he was outworking me and he never wanted to feel like I was ever outworking him. It’s definitely contagious and I respect it. Just everything that he’s dealt with in his career, in terms of his injuries, he just keeps showing up. He keeps getting better and better. He’s still just beginning to scratch the surface of what he could be as a player.

Is there anything people don’t really know about your game that you think people should know or should be discussed more?

DR: I just try to do my job to the best of my ability, do what my teammates and coaches ask of me, be aggressive, just try to be a pest defensively. I feel like I’ve made some improvements there, and I feel like I haven’t reached the potential of where I could be as a player and I’m excited to continue to learn and grow. I’m just going to continue to put the work in and see where the chips fall.

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Tony Parker is the only NBA player ever with a positive record against all 30 teams

Tony Parker announced his retirement last summer following a memorable career that saw him win four NBA titles and make the All-Star Game six times. His final year with the Hornets was not the stuff of legend, but one particular event during that …

Tony Parker announced his retirement last summer following a memorable career that saw him win four NBA titles and make the All-Star Game six times. His final year with the Hornets was not the stuff of legend, but one particular event during that season made his NBA career even more remarkable. In beating the Spurs in a January game, the French guard accomplished something no other player had: a positive record against all 30 franchises.

Parker is not the only longtime Spur without a losing record against any of the other teams. David Robinson, Tim Duncan and Manu Ginobili are part of that exclusive club, but of course they could never get a winning record vs. San Antonio since they spent their entire time in the NBA rocking the black and grey of the Spurs.

Danny Green, who is currently 9-9 vs. Milwaukee, could become the second player with a positive record against every single NBA franchise this season should the Lakers beat the Bucks on the road in March.

Other players without losing records against any franchise include Magic Johnson, James Worthy, Bill Russell, Sam Jones, KC Jones and Bob Cousy, but it was easier to achieve that back in the day (especially in the case of Celtics legends) since there were fewer NBA teams then.

Point guards make the most money in the NBA for the first time

For decades, the largest NBA salaries were given to dominant centers. But as the three-point era has dawned, that landscape has changed.

For decades, the largest NBA salaries were given to dominant big men. But as the three-point era has dawned, that landscape has changed drastically.

In researching league salaries for the last three decades, we can see how teams used to allocate their resources. Between 1990-91 and 2017-18, for example, it was always centers or power forwards who ranked on top.

During the 1999-00 campaign, all 13 of the top salaries (Shaquille O’Neal, Kevin Garnett, Alonzo Mourning, Juwan Howard, Patrick Ewing, Scottie Pippen, Hakeen Olajuwon, Karl Malone, Dikembe Mutombo, Jayson Williams, Rik Smits, Larry Johnson and David Robinson) were given to frontcourt players.

Back in 2002-03, big men were eating half of the salary pie of the league. They are at a record low 34.6 percent right now, although still handsomely paid. In fact, the average center makes more money ($7.7 million in 2019-20) than the average player in other positions. It’s just that there fewer of them.

For context, 43.2 percent of the players in 2011-12 played primarily power forward or center. But now in 2019-20, that has dropped to only 36.3 percent.

As such, gone are the days of bigs leading all NBA players in total annual salary. If you look at the top earners this season, for example, there is a very noticeable trend.

Centers went from earning 27.7 percent of the total salary in 1990-91 (which was the first year of our research) to a likely all-time low of 18.9 percent this season. Based on current expenditures, point guards account for 22.9 percent of the salaries in the NBA – ahead of all of the other position players.

Guards combine for 44.4 percent of salary money right now, which is the highest number we have on record.

Point guards leading the charge is a distinct change from as recently as the 2015-16 season. Even then, none of the seven highest-paid players in the NBA (Kobe Bryant, LeBron James, Carmelo Anthony, Dwight Howard, Joe Johnson, Chris Bosh and Kevin Durant) were point guards.

Now the three highest-paid players (Stephen Curry, Russell Westbrook and Chris Paul) are all point guards. Veterans like John Wall and Kyle Lowry currently rank in the Top 10. Kemba Walker, Kyrie Irving and Mike Conley do not trail far behind.

Overall, the average point guard salary increased almost $1.4 million while the average center salary dropped around $750,000.

Over the next few years, expect this trend to only continue. For example, Portland Trail Blazers point guard Damian Lillard will earn $47.8 million per year when his next deal kicks in for the 2020-21 season.

With these rates in mind, young point guards like Trae Young and De’Aaron Fox should be in for big paydays when their eligibility arrives as well.

HoopsHype’s Alberto de Roa conducted research for this report

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Lakers, Mavericks have had fewest back-to-back games since 2000

When the NBA schedules are announced, one of the most interesting places to look is at how many games are scheduled on back-to-back days.

When the NBA schedules are announced, one of the most interesting places to look is at how many games happen on back-to-back days.

It’s a dreaded experience for most players and a prime option to rest a star to try and avoid the wear-and-tear of the long season.

While the load management crisis has since become one of the hottest topics in basketball circles, this is also a conversation about injury recovery. Playing one full game can be grueling but suiting up for a second while still suffering from an injury can potentially exacerbate the initial problem.

For example, reigning NBA Finals MVP recipient Kawhi Leonard has been unable to play in the second game of back-to-backs for the Clippers due to his nagging knee issues.

There is also an obvious disadvantage for a team playing on zero days rest. While these are inevitable in the schedule. we looked at the franchises that have had the biggest assists from decision-makers. Teams listed in green are in the Western Conference while the red represents the Eastern Conference.

One takeaway is that the Dallas Mavericks and Los Angeles Lakers have been blessed with the fewest back-to-back games on their schedules since 2000-01.

The Atlanta Hawks, however, have not been as lucky since the turn of the century. They are the only team that has averaged more than 20 back-to-back games on their schedule per season since 2000, per our research.

This season, the Hawks have a league-high 14 games with zero days rest on their schedule. For what it’s worth, the Hawks have already played seven of those games on the second night of a back-to-back and have lost all of them.

For perspective, that is still quite a bit less than when the league average NBA team had as many as 20.4 back-to-back games on their schedule in 2011-12 as officials tried to make up for time lost during the lockout season.

But as Tim Reynolds explained, it has been a top priority for the league to remove this trend for the safety of players (via AP):

“Players might be getting a touch more rest this season as well. For the fifth straight year, the NBA has found a way to lower the average number of times a team has to play on consecutive days. The league average is 12.4 back-to-backs this season, down from 13.3 last year and 36 percent down from the average of 19.3 five years ago.”

It is worth crediting the league for their push in recent years to avoid back-to-back games in their scheduling. The players are overwhelmingly against their existence and as such, the product may suffer on the court.

HoopsHype’s Alberto de Roa contributed research to this report

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LeBron James and James Harden are the lone players with 500 wins in the 2010s

LeBron James and James Harden are the lone players with 500 wins in the 2010s

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European Tour 2019-20 schedule, results

The 2019-20 schedule features the Olympics Games in Tokyo. As with 2016, it will count towards a player’s quota of tournaments.

For the fourth straight year the Rolex Series highlights the Euro Tour schedule.

There are eight Rolex tournaments: Abu Dhabi HSBC Championship, Dubai Duty Free Irish Open, Aberdeen Standard Investments Scottish Open, BMW PGA Championship, Italian Open, Turkish Airlines Open, Nedbank Golf Challenge and DP World Tour Championship.

There are no new tournaments on the schedule this year.

The Estrella Damm N.A. Andalucia Masters, Trophée Hassan II, Scandinavian Invitation, French Open and BetFred British Masters make date changes.

The 2019-20 schedule features the Olympics Games in Tokyo. As with 2016, it will count towards a player’s quota of tournaments.

*Indicates Rolex Series event

2019

Date Tournament Location
Hong Kong Open Postponed
Nov. 28 – Dec. 1 Alfred Dunhill Championship Pablo Larrazábal
Dec. 5 – 8 Afrasia Bank Mauritius Open Rasmus Hojgaard
Dec. 19 – 22 Australian PGA Championship RACV Royal Pines Resort, Gold Coast, Queensland, Australia

2020

Jan. 9 – 12 South African Open hosted by the City of Johannesburg Randpark GC, Johannesburg, South Africa
Jan. 16 – 19 Abu Dhabi HSBC Championship* Abu Dhabi GC, Abu Dhabi, UAE
Jan. 23 – 26 Omega Dubai Desert Classic Emirates GC, Dubai, UAE
Jan. 30 – Feb. 2 Saudi International Powered by SBIA Royal Greens G&CC, King Abdullah Economic City, Kingdom of Saudi Arabia
Feb. 6 – 9 ISPS Handa Vic Open 13th Beach GC, Geelong, Victoria, Australia
Feb. 20 – 23 WGC – Mexico Championship Chapultepec GC, Mexico City, Mexico
Feb. 27 – March 1 Oman Open Al Mouj Golf, Muscat, Oman
March 5 – 8 Commercial Bank Qatar Masters Education City GC, Doha, Qatar
March 12 – 15 Magical Kenya Open Karen CC, Nairobi, Kenya
March 19 – 22 Hero Indian Open DLF G&CC, New Delhi, India
March 25 – 29 WGC – Dell Technologies Match Play Austin CC, Austin, Texas
April 9 – 12 The Masters Tournament Augusta National GC, Georgia
April 16-19 Maybank Championship Malaysia
April 23-26 Volvo China Open China
April 30 – May 3 Estrella Damm N.A. Andalucia Masters hosted by the Sergio Garcia Foundation Real Club Valderrama, Sotogrande, Spain
May 9-10 GolfSixes Cascais Oitavos Dunes, Cascais, Portugal
May 14-17 PGA Championship TPC Harding Park, San Francisco
May 21-24 Made in Denmark Himmerland Golf & Spa Resort, Farsoe, Denmark
May 28-31 Dubai Duty Free Irish Open* Mount Juliet CC, Thomastown, Co Kilkenny, Ireland
June 4-7 Trophee Hassan II Royal Golf Dar Es Salam, Rabat, Morocco
June 11-14 Scandinavian Mixed Hosted by Henrik and Annika Bro Hof Slott GC, Stockholm, Sweden
June 18-21 U.S. Open Winged Foot GC, Mamaroneck, NY
June 25-28 BMW International Open Golfclub München Eichenried, Munich, Germany
July 2-5 Open de France France
July 2-5 WGC – FedEx St. Jude Invitational TPC Southwind, Memphis
July 9-12 Aberdeen Standard Investments Scottish Open* The Renaissance Club, North Berwick, Scotland
July 16-19 The 149th Open Championship Royal St, George’s GC, Sandwich, Kent, England
July 30 – Aug. 2 Betfred British Masters hosted by Lee Westwood Close House GC, Newcastle upon Tyne, England
July 30 – Aug. 2 Olympics Kasumigaseki CC, Saitama, Japan
Aug. 6-9 UK Event Confirmed TBD
Aug. 20-23 D+D Real Czech Masters Albatross Golf Resort, Prague, Czech Republic
Aug. 27-30 Omega European Masters Crans-sur-Sierre GC, Crans Montana, Switzerland
Sept. 3-6 Porsche European Open Green Eagle Golf Courses, Hamburg, Germany
Sept. 10-13 BMW PGA Championship* Wentworth Club, Virginia Water, Surrey, England
Sept. 17-20 KLM Open Bernardus Golf, Cromvoirt, The Netherlands
Sept. 25-27 Ryder Cup Whistling Straits GC, WI
Oct. 1-4 Alfred Dunhill Links Championship Old Course St Andrews, Carnoustie & Kingsbarns, Scotland
Oct. 8-11 Italian Open* Olgiata GC, Rome, Italy
Oct. 15-18 Mutuactivos Open de Espana Club de Campo Villa de Madrid, Madrid, Spain
Oct. 22-25 Portugal Masters Dom Pedro Victoria GC, Vilamoura, Portugal
Oct. 29 – Nov. 1 WGC – HSBC Champions Sheshan International GC, Shanghai, China
Nov. 5-8 Turkish Airlines Open* Turkey
Nov. 12-15 Nedbank Golf Challenge hosted by Gary Player* Gary Player CC, Sun City, South Africa
Nov. 19-22 DP World Tour Championship, Dubai* Jumeirah Golf Estates, Dubai, UAE

 

Beat writers discuss covering lousy teams: ‘There’s only so many ways you can write that they’re bad’

NBA beat writers Marc Berman, Jon Krawczynski, Fred Katz, Vince Ellis and Keith Pompey discuss what it’s like to cover a struggling team.

Supporting a team that finishes near the bottom of the standings each year is extremely frustrating. It’s no fun rooting for a perennial loser. 

But what’s it like covering a team that’s constantly struggling? Beat writers spend nearly every day of the season with their assigned team, so how exactly is a beat writer impacted when their respective team keeps losing?

HoopsHype asked the following veteran beat writers: Marc Berman (New York Knicks beat, the New York Post), Jon Krawczynski (Minnesota Timberwolves beat, The Athletic), Vince Ellis (Detroit Pistons beat, the Detroit Free Press), Fred Katz (Washington Wizards beat, The Athletic) and Keith Pompey (Philadelphia 76ers beat, The Philadelphia Inquirer).

HOW LOSING AFFECTS THEIR COVERAGE

“When you cover a really bad team – a 50-loss team or a 60-loss team – there’s only so many ways you can write that they’re bad and they lost the game,” Jon Krawczynski said. “It really does challenge you to find unique angles on a day-to-day basis.”

“Someone explained this to me a long time ago: You aren’t rooting for a team, you’re rooting for a story,” Vince Ellis said. “And it’s hard to come up with story ideas when you’re covering a perennial loser.”

When a team enters a season with zero expectations of winning, that kind of losing season isn’t as bad as when a team was projected to do well and then fails to live up to the heightened expectations. Fred Katz pointed out that it’s important to adjust your coverage and overarching voice to fit that season’s circumstances.

“Your voice has to change, but no matter what, you’re still covering 15 people,” Katz said. “A team doesn’t necessarily need to be winning to find interesting stuff. Bradley Beal is an awesome player and he’s always interesting. It might not get the national play that it would get when I was covering Russell Westbrook during his MVP season, but in terms of just interest, if you’re passionate about your job, your beat and the subject you write about, I think you can always find stuff.”

During a successful campaign, everyone is happy and candid about what’s working. During a losing campaign, people are often frustrated and closed off. A good beat writer can uncover what’s happening behind closed doors.

When the team is winning, you’re basically painting a picture of what’s right in front of you,” Krawczynski said. “When the team is losing a lot, it’s up to you to really dig and leverage your relationships and your reporting skills to find out the real reasons why things aren’t going well or why certain decisions were made in terms of trading a player or firing a coach.”

Because a beat writer spends virtually every day around their team, they’re likely going to hear a lot of explanations from a wide variety of people when the squad is struggling. 

“When things are going wrong, there are going to be a lot of people who are giving their version of what’s happening and there are generally problems with every viewpoint or things that are being left out,” Krawczynski said. “A coach may say, ‘It’s the players’ fault and they aren’t doing what I want.’ A player may say, ‘It’s the coach’s fault; he doesn’t have the right system.’ Everyone is going to be pointing fingers. While fans are typically looking for us to validate whatever they think is wrong with the current situation, what we’re actually trying to do is find that middle ground that’s as close to accurate as possible and then present that. We’re just trying to get the truth.”

In addition to doing more investigative reporting, some beat writers are given the green-light to pursue unique stories that may not have seen the light of day if the team was winning.

“I think it gives you a little bit more freedom to get weird,” Katz said. “I, personally, get really excited about weird statistical trends. My big thing – and you hear musicians talk about this with their music – is that you write the songs that you like and if other people like those songs, then great. But when you start writing songs for other people, you kind of lose the heart of it.”

Sometimes, a beat writer’s coverage will change toward the end of a losing year. As Marc Berman noted, some outlets cut game stories in half or scrap them altogether in the final weeks of a season. Instead, there’s more of a focus on pieces about the future of the franchise (such as features on young prospects or breakdowns of possible offseason moves).

When the Philadelphia 76ers were tanking, it became clear that fans didn’t want to read about each regular-season loss. Instead, as Keith Pompey notes, they were eating up draft content and Summer League articles because they were looking ahead for future contributors (AKA Trusting the Process).

“Back then, Sixers fans got so excited for the Lottery and the NBA Draft was huge,” Pompey said. “It was ridiculous; my numbers used to be off the charts when I was writing about Summer League games. It was completely different. Last year, when they made the playoffs, it was almost like, ‘Okay, what do we do now?’ as far as covering the team. It was new to everyone.”

There’s often more national visibility for beat writers who are covering contending teams (particularly those in large markets). Some care about this more than others.

“I guess covering a winning team is good for things that some people care about like visibility, more eyeballs on the stuff you’re writing about and things like that,” Ellis said. “I don’t dislike visibility or people consuming my stuff, but that’s really not a concern of mine. My assignment is to cover the team that I cover, and I don’t care about how much visibility I get or the team gets.”

Photo by Dale Zanine/USA TODAY Sports

HOW LOSING IMPACTS PLAYER INTERACTIONS

“It’s not fun to walk up to somebody and ask them, in a public platform, why they aren’t doing well in their job,” Katz said with a laugh. “That’s never a fun thing.”

That’s essentially what beat writers must do after losses, though. This part of the job is difficult, as the players are often frustrated and guarded. Some players take out their anger on the journalist, while others shut down and give one-word answers.

“When a team is losing, it’s generally really quiet in the locker room,” Krawczynski said.

“It’s tougher to get thoughtful, illuminating answers during losing streaks,” Ellis added. “It can be a lot tougher when a team is struggling. After a game, it’s almost impossible. But after practices, when they’ve had some time to cool down from the latest loss, they can be more thoughtful.”

When the interviewee knows the beat writer well, they’re more likely to open up and try to give usable quotes, even if they aren’t in the best mood. Remember, beat writers spend more time with the team than just about anyone outside of the organization, so they often get to know these players, coaches and executives well.

“That’s where the relationships come in handy because there’s trust,” Katz said. “You have more leeway too. You can ask certain questions and they’ll know, ‘I know Fred, he’s a fine guy and he’s not out to get me or get a [out-of-context] soundbite.’ That’s when the relationships come in, when they’re losing. It’s why the No. 1 most important thing to do as a beat writer is to have relationships with everybody you cover.”

Certain losing locker rooms are worse than others. As previously mentioned, the higher the pre-season expectations, the more disappointed and dejected that team will be if they end up losing the majority of nights. For example, look at last year’s 17-win Knicks versus this year’s squad.

“Once it became evident that wins and losses didn’t matter because they were tanking, I’ve never been a locker room more happy to lose than last season,” Berman said. “Unless they got destroyed, it was pleasant after losses. And one of the great things about David Fizdale last season is that he was always upbeat and always talking about the future.

“The atmosphere this year, early on, is definitely more somber. First of all, there are a lot more veteran players on the team who want to win. Fizdale isn’t talking about the future, he’s not talking about cap space. After some of these bad losses, he’s really dejected.”

Interestingly, some players give their best interviews when times are tough.

“The irony is that sometimes you get the best quotes in a losing locker room,” Berman said. “The team may get blown out, but then the players are very candid and willing to look in the mirror and criticize themselves and the team. Sometimes, after a victory, you just hear a lot of clichés. But in general, when a team is losing over and over, the locker room is tougher to cover.”

Sometimes, when a team starts rebuilding, it can lead to more access for journalists. For example, several years ago, one team went from being a perennial contender to a bottom-feeder after losing their star player. Suddenly, the team’s PR department gave journalists more access than ever before and went out of their way to help the media. This obviously doesn’t happen with every organization, but there are some instances where a team’s sudden struggles actually make the journalist’s job easier.

“I’m sure there are specific scenarios where a team gets bad and they say, ‘We need more good publicity. We need people to see how good of a guy Player X is, so that we can get more people to tune in or come to games or buy jerseys.’ But that’s definitely not a rule of thumb,” Katz said. “Who is the toughest team to cover in the league? The Knicks, and they’ve won one playoff series in the last two decades and they’re banning journalists from the arena! And the Warriors win our Professional Basketball Writers Association award [for best media relations] pretty much every year and they just went to the NBA Finals five years in a row. It’s totally dependent on the organization and how they view things.”

“I think this season, if the losing continues, they’ll want less publicity,” Berman said of the Knicks. “They would rather us write less than more during these times.”

Photo by Angelo Merendino/Getty Images

HOW THEIR AUDIENCE HANDLES THE STRUGGLES

In sports-talk radio, it’s often said that it’s great for business when the local teams are losing. Suddenly, the station gets more calls because the passionate fans are upset and want to vent. Also, the hosts can fill segment after segment by criticizing the struggling teams, which leads to even more callers.

However, this doesn’t apply to beat writers.

“The Pistons being good or on a winning streak is better for me numbers-wise than a team that’s losing and playing poorly,” Ellis said. “As a matter of fact, my numbers are bad this year. My content hasn’t changed and I still think I do a pretty good job with the content, but it’s just that the audience isn’t there. There are some angry fans who are mad and want to blame somebody. They want to find a boogeyman for why their team isn’t good. That engagement is there on Twitter and talk radio, but overall, fewer people are reading my articles.

“The passionate fans are going to care either way, but the casual fans tune out when the team is losing. And for the casual fans, the NFL is easier to keep track of and less of a time commitment because it’s only one game a week. There are a lot of casual fans who check out when the Pistons are losing. That’s what our metrics say too.”

Berman has noticed the same thing. This would be the Knicks’ seventh-straight season missing the playoffs and New Yorkers are tired of watching their favorite team struggle.

“No, the losing is not a good story for us right now – not anymore with the Knicks,” Berman said. “It is not selling papers, it is not encouraging more clicks. When the losing has gone on for seven-straight seasons, it’s old and tired.”

In fact, Berman has been on the Knicks beat for 20 years and he’s never seen the fan base like this.

“The fans are beat up, to the point that I’ve noticed in recent months that a super-negative story is going to be ripped on Twitter by a lot of the Knicks fans,” Berman said. “I know with Twitter it’s tough to gauge if that’s the general thinking of the public, but they are so desperate for a winning team and a positive story that they’ll criticize a writer for going too negative. I’ve never experienced that – never – on this beat until very recently, and that just shows that Knicks fans are so beaten down that they just can’t read constant negativity. If there’s any little glimmer of hope, that’s what they want to read.”

At the end of the day, fans get tired when the narrative is the same year after year.

“When I took over this beat in 2008-09, people were tired that the Pistons were going to the Eastern Conference Finals every year (but couldn’t win it all more than once). They said it was ‘stale’ and interest was starting to wane,” Ellis said. “Unless the team is winning championships, some fans get tired when it’s the same players and the same situation over and over – whether they’re at the bottom of the standings or falling short in the playoffs.”

Krawczynski witnessed this firsthand during the Timberwolves’ 13-year playoff drought, as the losing caused fans to check out and feel hopeless about the team’s direction.

“When a team has been losing for a long time, for several seasons, and there are no real expectations because of it, there’s an apathy that sets in and fans really just check out on the team,” Krawczynski said. “There will always be a group of diehards who are living and dying with the team and getting emotional about things. But there can be an overall malaise that sets in and I think that’s what teams really want to avoid the most. When fans are really upset and making those angry fan calls, at least that means they care. When that apathy sets in, they don’t buy tickets or don’t turn on the TV.”

When things are going poorly, frustrated fans sometimes want to see the beat writer use their platform to go after the head coach or general manager. Each of the beat writers had experienced this. What these readers don’t understand is that the beat writer is an objective journalist and not a fellow fan.

Photo by Geoff Burke/USA TODAY Sports

DYSFUNCTION SOMETIMES LEADS TO GREAT CONTENT

When a team keeps finishing near the bottom of the standings, there’s often behind-the-scenes drama, which gives beat writers some interesting stories to chase.

“Sometimes, I find the controversy that occurs during losing to be more interesting than winning,” Ellis said. “The Pistons’ mutiny in 2011 is a great example of the kind of controversy and dysfunction that can come with covering a bad team. That kind of stuff doesn’t happen when you’re covering a good team!”

For those who don’t remember, the mutiny that Ellis mentioned occurred in 2011. Half of the Pistons’ roster (including Richard Hamilton, Tayshaun Prince, Tracy McGrady and Ben Wallace among others) refused to show up for a morning shootaround to send the message that they wanted head coach John Kuester to be fired. Ellis’ coverage of the mutiny received national attention, as he appeared on numerous television and radio shows that week. But that wasn’t even the most controversy-laden season he’s covered while on the Pistons beat.

“That 2008-09 season with Allen Iverson is probably still the most memorable season that I’ve covered – seeing Iverson refuse to acknowledge the fact that he was a diminished player and seeing that a player who is a sure-fire, first-ballot Hall of Famer can still wreck a locker room,” Ellis said. “To this day, out of my 12 seasons, that was the most fascinating season and I had a front-row seat for that dysfunction. If Joe Dumars doesn’t trade Chauncey Billups for Iverson, that season probably isn’t anywhere near as memorable for me.”

Depending on the circumstances, a losing season can generate just as many interesting stories as a winning squad (if not more). For example, Krawczynski covered Jimmy Butler’s trade request and subsequent exit from Minnesota, which gave him plenty to write about that season.

“When there’s major drama, that is where it really requires a lot of reporting experience, a lot of relationship-building, a lot of source work and essentially investigative journalism,” Krawczynski said. “We’re presenting a clear and accurate picture of what’s going on when times are tough. We’re wading through all of the BS that’s thrown our way and thrown the fans’ way to get to the bottom of things. It’s not pleasant and it’s not easy to do, but I think that’s where the really good reporters separate themselves from the mediocre ones.”

But just because a team is losing doesn’t necessarily mean there’s dysfunction. Some struggling teams are more interesting than others. Berman points out that there’s not much drama to cover when it comes to the 2019-20 Knicks, especially compared to how things were just a few years ago.

“When they’re losing amid controversy, there’s more interest,” Berman said. “When Phil Jackson was running the show, for more than three years he was always putting out one brush fire after another. Phil was always controversial. Now, there’s not really any of that. The only drama is if the Knicks continue to lose badly, David Fizdale’s seat will become hotter and hotter – and, yes, fans do like to read about [coaching changes].”

During the Trust-The-Process years, there wasn’t too much controversy surrounding those teams (aside from the tanking itself). All of the young guys in the locker room knew not to worry about losses – the goal was improving each day – and they were all happy to be there. Many of their players just weren’t NBA-caliber.

“During my first year on the beat, the Sixers were playing Indiana and I used to always get to the arena early to watch guys warm up,” Pompey said. “When Indiana’s [end-of-bench] players were warming up, they were making 80 percent of their shots (if not more). I looked at someone and said, ‘Wow, so this is a real NBA team?’ And the guy looked back at me and said, ‘Yeah, I don’t know what the hell you’re covering,’ and started laughing. It was bizarre; the Sixers just didn’t have it, man. Their guys just weren’t that good. That was one thing that really stood out to me – how much better these players who didn’t even play were than the Sixers’ [starters].”

Despite the fact that the Sixers didn’t have a realistic shot of winning on most nights and won just 47 of a possible 246 games in a three-season stretch from 2013 to 2016, Pompey kept fans informed about everything going on with the franchise. That’s what a beat writer does.

“Your job as a beat writer is always to tell the stories,” Katz says, “regardless of what’s going on.”