Auburn fans recall their favorite concerts held at Beard-Eaves-Memorial Coliseum

Beard-Eaves has seen some major acts come through over the years.

Beard Eaves Memorial Coliseum opened up on January 11, 1969 with a historic win over an LSU team led by Pistol Pete Maravich.

It also survived 45 years of concerts, many of them turning into cherished memories for Auburn fans everywhere. In its early days the Coliseum saw acts like Elvis Presley and The Rolling Stones. The Coliseum went out rocking with Dierks Bentley and Rascall Flatts back in 2014.

Before we begin reminiscing its important to note that I was not able to obtain the dates for each of these artists. If your favorite artist is mentioned without a year please feel free to give us a shout-out!

Concert years verified by setlist.fm

1960s:

1969: The Rolling Stones and Chuck Berry (not a bad way to “start it up” sorry I just had to get that one pun in)

Side story: My dad said that The Rolling Stones shouldn’t even be in contention for one of his favorite concerts. They were nearly 3 hours late much to the dismay of everyone in attendance BUT when they showed up they brought the house down.

1970s:

1970: Neil Diamond

1971: Chicago

1971: The Carpenters

1971: Ike and Tina Turner

1972: The Allman Brothers Band

1972: Isaac Hayes

1972: Rod Stewart

1973: George Carlin

1973: Elton John

1974: Elvis Presley

1975: Chicago

1976: James Taylor

1976: Andre Crouch

1976: Bruce Springsteen

1976: The Commodores

1977: Neil Diamond

1980s: 

1980: The Eagles

1980: Charlie Daniels

1981: Hall and Oates

1982: James Taylor

1983: Joan Jett

1984: Stray Cats

1985: Whitney Houston

1985: Tina Turner

1986: Jimmy Buffett

1987: REM

1987: Indigo Girls

1987: Huey Lewis and the News

1987: Whitney Houston

*sometime in the 80s but we can’t quite place them: 

Dan Fogelberg

Pat Benatar

Lewis Grizzard

1990s:

1990: Jimmy Buffett

1992: Lenny Kravitz

1992: The Cult

1993: Winona Judd

1993: Clint Black

1994: Widespread Panic

1994: Dave Matthews Band

1994: Alan Jackson

1995: The Allman Brothers Band

1995: Widespread Panic

1995: Blues Traveler

1996: Widespread Panic

1996 or 1997: Willie Nelson

1997: Indigo Girls

1998: Third Eye Blind

1998: Eve 6

*definitely early 90s but we can’t quite place these guys either:

Edwin McCain

Hootie and the Blowfish

2000s:

2000: Live

2000: 311

2000: Sister Hazel

2008: O.A.R.

2008: Akon

2010: Skillet

2010: The Rocket Summer

2010: Goo Goo Dolls

*If you saw any of these acts and can give us a year please do so, the undated concerts:

Stan and Eddie

Phish

Drivin N Cryin

Brooks and Dunn

Jeff Foxworthy

Garth Brooks

Alabama

I was never able to attend a concert at the Coliseum, but all of this reminiscing makes me wish I could have. Oh to be a fly on the wall for some of these concerts.

Is your favorite concert missing? Feel free to reach out to us on Facebook on Twitter!

All that is left is R.E.M. Steeple – Celebrating the beginning of Athens’ legendary band

Has it been forty years? Has four decades passed since the legendary indie-rock super group, R.E.M., one of the most consequential bands of the time, and perhaps the world’s greatest alternative rock band, performed for the first time as a group in …

Has it been forty years? Has four decades passed since the legendary indie-rock super group, R.E.M., one of the most consequential bands of the time, and perhaps the world’s greatest alternative rock band, performed for the first time as a group in Athens, Georgia?

The four University of Georgia students who formed R.E.M. captured the spirit of Athens in the early 1980s and took college radio by storm. Over a 31-year run as multi-platinum-selling artists, R.E.M. became international superstars by creating a niche never witnessed before…..oblique lyrics, intellectualism, a quirkiness, all encompassing, soulful music….a new musical language that captured the imagination of a generation and spawned a musical revolution.

Five months before the glorious debut of Georgia freshman running back Herschel Walker and the Bulldogs march to the national championship, R.E.M. began its musical and creative ascent and would help define the Classic City as a world-recognized music and cultural mecca.  From that first performance in the old St. Mary’s Church on April 5, 1980 to selling some 90 million albums worldwide, bassist and vocalist Mike Mills, front-man Michael Stipe, guitarist-mandolinist Peter Buck and original drummer Bill Berry were a pioneer of the genre and always were true to their early, college underground musical roots.

The boys, who called it a day on September 21, 2011, transcended underground and mainstream music but forever held on to that rock-rebelliousness. At the time, Michael Stipe told the Daily Beast, “If anything, in disbanding, R.E.M. managed to do something that’s never been done before in the history of pop music. We did so as friends, with no external forces causing that to happen and without lawyers having to square off. It was just that the time had come.”

Let’s go back to the beginning, to October 1979, because it’s here in the Classic City, that four students became known to the world as R.E.M. Stipe was an art student, where he befriended Buck, an Emory transfer working as a clerk at Wuxtry Records downtown. At a local party, they met UGA students Mills and Berry, Macon natives.

Berry and Mills had played together in a high school band called Shadowfax and were living in Reed Hall, enjoying college life and experiencing the burgeoning music scene around Athens. Stipe and Berry moved into converted apartments at St. Mary’s Church, a place only college kids could appreciate. One of the oldest structures in Athens, the church had been turned into a space where the city’s local artists hung out, practiced and lived.

The boys rehearsed at St. Mary’s in anticipation of their first show at the birthday party of friend Kathleen O’Brien. On Saturday afternoon, they stopped by WUOG, the campus radio station, for a pre-show interview. Some reports said the group appeared as Twisted Kites, but the band later confirmed that they hadn’t yet decided on what to call themselves. The band opened with The Troggs’ “I Can’t Help Myself” and followed with the Sex Pistols’ “God Save the Queen.”

No one had any idea what the significance of that event on Saturday night in St. Mary’s would be. They weren’t even called R.E.M. but that night would be the beginning of 31 years of musical magic.

By the time R.E.M. played their second show on April 19th at the 11:11 Koffee Klub in Athens, they had picked a name (out of the dictionary): “R.E.M.” A reported 150 fans attended the show and true to their alternative form, the police shut the show down at 2:30am. The band was building momentum in May with Athens’ shows at Tyrone’s O.C., Memorial Hall, the 40 Watt Club and the Mad Hatter.

During a May show, R.E.M. opened for The Brains. The Georgia student newspaper, the Red & Black proclaimed, “R.E.M. blew away The Brains.” Mills and Berry moved into St. Mary’s in June and the boys were playing several dates a month.  In July, they had their first gigs out of Georgia, when they played two shows in Carrboro, NC followed by a show in Raleigh.

Shows primarily in Athens continued throughout the fall and in December, the band opened for the Police in Atlanta’s Fox Theater before 4,000 people. In early 1981, the band released Radio Free Europe. The single received critical acclaim, and its success on college radio earned the band a record deal with I.R.S. Records. The band was well on their way to becoming a world-renown icon.

Meanwhile, St. Mary’s slowly began to disappear. History in the South is woven into the fabric of our lives and in Athens, history is as thick as a sultry August morning. Originally designed as a place of worship in 1849 for a local manufacturing company, the church was later decommissioned after the plant closed. The Red Cross revamped the space into residences, setting the stage for an important moment in music history. Within a decade, R.E.M. were international superstars, but the site of their first show was set for demolition.

The building was demolished in 1990 but the steeple was saved. Condos soon rose where St. Mary’s once stood but the steeple began to badly deteriorate.

“The steeple is the iconic symbol of Athens music, I think — what’s left from where we were,” Marc Tissenbaum, a project manager who sought to restore the site, told Flagpole. “When I first got here in 1986, everyone knew that was the R.E.M. steeple. … It’s a landmark. It’s a beacon. It’s a lot of things.”

The condo association gave the steeple to the nearby Nuci’s Space, a nonprofit organization that provides an array of services to assist in the emotional, physical and professional well-being of musicians. A crowdfunding campaign raised $150,000 to cover the restoration of the steeple and provide some needed support for Nuçi’s Space. R.E.M. and Athens alumni like the B-52’s, Drive-By Truckers and Neutral Milk Hotel donated guitars and autographed items for backers.

Today the “R.E.M. Steeple” is known to be a pilgrimage site of sorts for R.E.M. fans or music fans in general. It is a landmark in rock history and one of the most important sites in alternative music. Forty years ago, four college boys who simply wanted to be in a band and create some inspiring music, reached heights no one could ever imagined and inspired a generation.