If you’re looking for giant creatures fighting, Godzilla x Kong: The New Empire is for you

Monsters fighting! So many monsters fighting!

If you were hoping to sit in a movie theater and stare at the biggest screen possible as one gigantic ape rode a huge lizard creature towards another gigantic ape riding a huge lizard creature in zero-gravity in Hollow Earth, boy do I have some good new for you.

Godzilla x Kong: The New Empire hits theaters this Friday, and it has all the prehistoric mutant animals fighting each other that you could dream up. The fifth entry into the MonsterVerse, The New Empire picks up with King Kong feeling lonely in his Hollow Earth home and Godzilla roaming the surface to eliminate Titan threats.

Godzilla’s unusual behavior — loading up on radiation from a French reactor and tracking down a powerful Arctic Titan — leads Monarch scientists to believe a bigger threat is looming.

That threat is a really mean ape that is running a colony one layer under Hollow Earth, and — you won’t believe it — Kong and Godzilla will have to team up to defeat him.

Look, is this movie good? No. Does it totally rock to see various giant creatures punch each other? Yes.

Rebecca Hall, Brian Tyree Henry and Kaylee Hottle all return from Godzilla vs. Kong and are joined by Dan Stevens, who plays a cryptozoologist that is basically Kong’s veterinarian.

Problems are solved pretty easily throughout the movie (need a robotic arm to affix to Kong? Don’t worry, it’s nearby and super mobile), but it doesn’t really matter since the “plot” is really just there to get us to more big fight scenes.

If you’re looking for an Oscar-winning epic with deep meaning and use of allegory, this one might not be for you. If you’re looking to turn off your brain for a couple hours and watch monster fights, you’ll be pleased.

Movie: Godzilla x Kong: The New Empire
Release Date: March 29 
Director: Adam Wingard
Stars: Rebecca Hall, Brian Tyree Henry, Kaylee Hottle, Dan Stevens
Rating: 2.5 out of 5 stars

Jake Gyllenhaal’s Road House remake packs big punches, even if they don’t all land

Gyllenhaal shines as Dalton in the remake of of the 1989 classic.

There’s a moment in Prime Video’s new Road House adaptation where Dalton (Jake Gyllenhaal) is about to be pummeled by hired villain Knox (Conor McGregor) in the crumbling wreck of the titular bar. As the punch comes in, Dalton yells “be nice,” an homage to the original 1989 cult classic.

Throughout Doug Liman’s remake, there are small nods to Patrick Swayze’s Road House, but the 2024 version is certainly one that stands on its own. While it lacks the endearing ridiculousness that made the first one so re-watchable and quotable — “Pain don’t hurt!” — it’s still a high-octane and fun watch.

In this iteration, Dalton is a former UFC fighter with a past he wants to forget. He’s approached by Frankie (Jessica Williams, Shrinking) with an offer to come to the Florida Keys and try and keep the peace at her bar, the aptly named Road House.

Dalton trains up bouncer Billy (Lukas Gage) as he cleans up the Road House, but problems pop up when low-level muscle continues causing problems for the bar. The wonderful Billy Magnussen (Game Night) stars as Ben Brandt, the wonderfully decadent villain trying to put the bar out of business so he can build up the beach front, and he calls in Knox to make things happen.

The fight scenes are brutal and frankly impressive, and that’s due to stunt coordinator Garrett Warren and something he calls the Four Pass Method. McGregor explained in an interview with Jake Hamilton what goes into it. “It’s basically you punch one side of the face, you punch the other side, you punch in slow motion where you land and act it, and then you put a pad in front of the face,” McGregor said.

With all those angles of near miss punches and “connected” punches, the magic of movie-making puts them all together in a way that is very realistic.

Gyllenhaal is truly engaging in the role, and Magnussen plays the yacht-owning, linen-wearing Florida bad guy to perfection. It’s not a perfect movie, but it’s worth a watch.

Road House will be streaming on Prime Video starting March 21.

Movie: Road House
Release Date: March 21 (Prime Video)
Director: Doug Liman
Stars: Jake Gyllenhaal, Daniela Melchior, Jessica Williams, Billy Magnussen, Lukas Gage, Conor McGregor
Rating: 2.5 out of 5 stars

Dune: Part Two lives up to every bit of hype

Clear your schedule, it’s time to see Dune: Part Two

When the first reviews of Dune: Part Two started trickling out on February 14 following the Paris premiere, one stood out to me. “I’m very grateful to be alive just to see this, to have the chance to see a film like this, it’s hard to describe,” said French critic Hycarius.

Grateful to be alive.

It’s a bold statement to throw out there for a movie, but it’s hung out in my brain for the last two weeks. After finally seeing Denis Villeneuve’s sequel to 2021’s Dune, I fear he was correct.

MORE: A new Dune: Part Two meme featuring the unwavering support of Stilgar is here and it’s gold

Dune: Part Two actually was that good. The sci-fi epic based on Frank Herbert’s novel does everything right. It’s well-paced, incredibly well-acted and makes you feel every range of emotion over the two-plus hour runtime. It’s the kind of movie that future generations will lament not getting to see in theaters the first time (although at that point everyone will probably have their own theater-like sound systems at home).

I don’t think anyone truly doubted the acting chops of Timothée Chalamet (Paul Atreides), Zendaya (Chani), Austin Butler (Feyd-Rautha) or Florence Pugh (Princess Irulan), but if they did, those doubts should be put to rest now. All four put out the best performances of their careers, and Chalamet, Zendaya and Butler should be getting Oscars buzz for 2025.

Rebecca Ferguson (Lady Jessica) was phenomenal — and should be shortlisted for Best Supporting Actress at the Oscars — and Javier Bardem (Stilgar), Dave Bautista (Beast Rabban), Souhelia Yacoub (Shishakli) and Charlotte Rampling (Reverend Mother Mohiam) all turned out incredible performances.

Zimmer’s score is soul-shaking. The cinematography is breathtaking. The action scenes are tense and will have you holding your breath. Visual effects are flawless. This movie is so good, you’ll consider whether riding sand worms is a legitimate means of travel.

Part of me hopes you found this review after going to see Dune: Part Two. This type of hype is nearly impossible to live up to. But then I remember Hycarius and his bold statement. Just sit back, relax, avoid the creepy popcorn bucket and enjoy that you’re able to see this movie on the big screen when it was released.

Madame Web is bad and you should absolutely go see it

Bad dialogue! Random trips to Peru! Uncle Ben!

Fine, I’ll be the one to say it. You should go see Madame Web.

Don’t get confused; it’s a terrible movie. But it’s so bad you really have to take it all in for yourself. The script is a mess, the delivery is awkward, the villain is comically bad and there are several laugh-out-loud moments.

I couldn’t recommend it more.

Madame Web follows Cassie Webb (Dakota Johnson) through what amounts to a very bad, no good, awful couple of days (or weeks? It’s a bit unclear as she takes a quick jaunt to Peru at one point). Who is Cassie Webb, you ask? Great question. She’s the paramedic partner of Ben Parker (Adam Scott).

Yes, that Ben Parker. The uncle of Peter Parker, future Spider-Man. And boy do they ever want to say the words Peter and Parker together. The scenes of heavy implication around both Aunt May and our future web-slinger are utterly hilarious.

The long and short of the movie is that Cassie, whose mother died while researching spiders in the Amazon, has an incident at work where she goes into the water with a car and is technically dead for a few minutes before Parker resuscitates her.

Webb starts having these weird déja vu experiences where she seems to be re-living moments of her life. Turns out, Web can see the future, and this leads to her crossing paths with a trio of teen girls — Julia (Sydney Sweeney), Mattie (Celeste O’Connor) and Anya (Isabela Merced) — who are being hunted by a strange man.

This man, Ezekiel Sims (Tahar Rahim), umm, has powers (?) from the same type of spider that Cassie’s mother was searching for in the Amazon. It’s honestly not super clear what all those powers are or how he got them as his abilities are wildly inconsistent. We do know that he

  1. killed Cassie’s mom and
  2. thinks that the trio of teens will hunt him in the future and
  3. never wears shoes.

Rahim is all over the place in this movie. The audio during his delivery is bad, the lines don’t match up with the movements of his mouth and there’s discussion around whether his entire performance was re-done with ADR after filming.

Very little in Madame Web makes sense. The plot is messy. The trio of Spider-Girls only wear their actually cool suits for about a minute in the movie, and that’s in a dream sequence. The editing is sloppy. The script is hilariously bad.

But I’ll be honest with you, I enjoyed Johnson’s performance. She’s dry and blasé through most of it, but it works. The reveal of Cassie’s clairvoyance is extremely well done. Adam Scott is delightful. While I would prefer none of these movies become canon in the Marvel Cinematic Universe, I would also love it if Tom Holland and Johnson share the screen at some point.

Where Morbius, one of Sony Pictures’ other Spider-Man adjacent movies, was boring and a slog, at least Madame Web was so bad it’s good. Going to the theater is supposed to be entertaining, and I certainly was entertained.

Movie: Madame Web
Release Date: February 14
Director: S.J. Clarkson
Stars: Dakota Johnson, Adam Scott, Tahar Rahim, Sydney Sweeney, Celeste O’Connor, Isabela Merced
Rating: 1 out of 5 stars

Bob Marley: One Love is an emotional look into the singer’s life, music and impact

The Kingsley Ben-Adir biopic of the reggae icon hits theaters on Valentine’s Day

The newest musician biopic hits theaters on February 14 as Bob Marley: One Love opens everywhere. It’s a movie that delves into one specific timeframe of the Reggae icon’s life, namely the events surrounding the creation of his triumphant 1977 album, Exodus.

Kingsley Ben-Adir (Secret Wars, Barbie) takes on the titular Marley, and the actor is fantastic in the role. He dove in head-first, learning both Jamaican Patois and how to play guitar in an attempt to more perfectly embrace Marley’s persona. It’s a difficult task to accurately emulate Marley’s persona, but Ben-Adir performs admirably.

Lashana Lynch (Captain Marvel) stars across from Ben-Adir as Marley’s wife, Rita. Lynch is captivating in the role and one of the standouts from One Love.

One Love is a family affair through-and-through. Two of the Marley children — Ziggy and Cedella Marley — are producers on the project, while two of the Wailers — Junior Marvin and Family Man — are played respectively by their sons. The family involvement was not only desired, but necessary for director Reinaldo Marcus Green (King Richard).

“It was paramount for me to have the family’s involvement,” Green told For The Win in a recent interview. “If they weren’t involved. I couldn’t do it. Ziggy [Marley] was on the very first call as a producer hiring me to direct this movie.”

There are some moments that maybe feel a little clunky, but it’s an interesting story of Marley, his relationships, his Rastafarian beliefs, his activism and, most importantly, his music. One Love struggles at times to fully capture the Marley vibes, but it’s a reminder that, despite only living 36 years, Bob Marley managed to make such an incredible impact on the world.

Movie: Bob Marley: One Love
Release Date: February 14
Director: Reinaldo Marcus Green
Stars: Kingsley Ben-Adir, Lashana Lynch, James Norton
Rating: 3 out of 5 stars

‘Devotion’ is a stunning story about unwavering friendship

The true story of Jesse Brown hits theaters this Thanksgiving in a stunning tale of heroism, love and friendship.

The new film “Devotion”, now in theaters, covers a lot of ground in 140 minutes. It’s about the Korean War. It’s about naval aviation. It’s about love. Loss. A man fighting for his country when his country won’t fight for him.

But above all, “Devotion” is about unwavering friendship.

I understand that might sound cheesy, but stay with me. “Devotion” chronicles the true story of Ensign Jesse Brown, the United States’ first Black naval aviator. An adaptation of Adam Makos’ book, “Devotion: An Epic Story of Heroism, Brotherhood and Sacrifice”, the film follows Brown — played masterfully by the incredible Jonathan Majors — over his illustrious career as a pilot and the relationships he forged along the way.

Often dubbed the “Forgotten War,” the Korean War is one of the least discussed or memorialized conflicts in U.S. history. The events of the movie are centered on the Battle of the Chosin Reservoir from late-November to mid-December 1950 and focus on Brown’s incredible story and the heroism shown by his wingman, Lt. Tom Hudner (Glen Powell), when the unthinkable happens.

[The following includes details (read: spoilers) about the movie and real-life events that inspired it.]

The two wingmen could not have come from more diverse backgrounds. Brown is the son of Mississippi sharecroppers and Hudner comes from country-club elites in Massachusetts. Both ended up with the Fighting 32s —a squadron of F4U Corsairs off the USS Leyte — and eventually flew missions in support of Marines on the ground in North Korea.

“Devotion” begins after both have already qualified as pilots and does a beautiful job of showing both the challenges Brown faces and the unexpected (for its time) support and camaraderie he shared with his white squadron mates.

Majors and Powell are phenomenal as Brown and Hudner. The duo is electric on screen, particularly as Brown learns to trust his wingman both personally and professionally.

This movie was a personal project for Powell, who was the driving force behind bringing this story to the big screen. Throw in outstanding supporting performances from Thomas Sadoski, Joe Jonas and Christina Jackson, plus up-and-coming director J.D. Dillard, and you’ve got a recipe for success.

Dillard grew up around aviation as the son of a naval flight officer. His father Bruce was only the second Black man to join the ranks of the prestigious Blue Angels. It was important to Dillard that this story be shared, and that it be done well.

“You always try and put some of yourself in the work that you’re making, but to be able to take so much of my past and my dad’s story and my mom’s story and pour that into this,” Dillard said. “There’s a difference between telling a story because you want to and feeling called to tell it, and ‘Devotion’ is the latter.”

Part of doing it well meant getting the aviation sequences right. They were able to track down six Corsairs — an impressive feat considering there are only about 11 or 12 working planes around the world — and pulled in Kevin LaRosa as the film’s aerial coordinator, a role he also filled in Top Gun: Maverick. 

The result is breathtaking.

As it usually goes with film adaptations of books like this, parts of the story had to be changed for brevity’s sake. One of my favorite stories shared in the book was when the stewards from the ship (who served officers meals in the wardroom) chipped in to get Brown a Rolex from the onboard store for his birthday. Upon presenting the $60 gift to Brown, the steward delivered one of my favorite quotes.

“Thank you for lifting us up,” the petty officer said to Jesse. “Now on this ship, when a Black man passes you in the hallway, you never know, he might be just a cook — or he might be a flyer.”

The story made it into the film — albeit changed slightly — but the quote did not.

On the flip side, Majors and the filmmakers were able to take powerful moments from the book and amplify them. Majors is well on his way to being an absolute superstar, and some of his best work comes when he’s acting across from himself in a mirror. In Makos’s book, he described a routine that 12-year-old Jesse Brown started: repeating all of the awful and racist words, slurs and comments said to him back at himself. He would do this until, “…his eyes remained steady, until he could shrug away the vilest insult without flinching.”

Majors was so powerful in that moment, and it’s nothing short of moving. More incredibly, it was one of the earliest scenes they shot.

Overall, “Devotion” is a stunning, emotionally challenging film. Jesse Brown’s story is one that everyone should know, and — even if you’re not tied to aviation or the Navy — is absolutely worth seeing in theaters. Just don’t forget your tissues.

Black Panther: Wakanda Forever explores grief and honors both T’Challa and Chadwick Boseman

The latest installment of the MCU is one that pays homage to a character lost too soon.

Phase Four in the Marvel Cinematic Universe has been one marred with grief, and the final entry in the phase — Black Panther: Wakanda Forever — is no different. When Chadwick Boseman, the incredibly talented actor that portrayed T’Challa/Black Panther in four MCU movies, sadly passed in 2020 after a quiet battle with cancer, the world was stunned.

Wakanda Forever, which hit theaters on November 11, had to deal with the loss of its main star both narratively and personally.

SPOILER ALERT: The content that follows below contains spoilers for Black Panther: Wakanda Forever. If you haven’t watched it and you’re interested in watching it, please go watch it before you read this. 

It became clear through trailers and comments from director Ryan Coogler that Boseman would not be recast and instead the mantle of Black Panther would pass to a different character. The script and story had to be re-written to adjust for the loss of their Black Panther, and at times, you can feel that in watching the sequel.

Instead of a story that addresses the after-effects of Thanos and the Blip, we go on a journey of sadness, grief, trauma and how you process each of those following the death of a loved one.

As the movie opens, we quickly learn that T’Challa has come down with an illness, and — thanks to Killmonger’s burning of the sacred, heart-shaped herb — there’s nothing anyone can do to heal him. He passes (off-screen) as Princess Shuri (Letitia Wright) attempts unsuccessfully to synthetically recreate the herb that could save her brother’s life.

Shuri’s pain and loss is the through-line throughout the film as she battles feelings that she failed (and was failed by) the mantle of Black Panther, her brother and eventually even her mother, Queen Ramonda (Angela Bassett).

Along the way we meet newcomers Riri Williams (Dominique Thorne) and Namor (Tenoch Huerta) as an ally and villain, respectively. Williams is an MIT student that has created not only her Iron Heart suit (very heavy Stark vibes), but also a device that can detect Vibranium (the strongest metal on Earth and highly sought after by nations trying to use it for weapons). This device leads us to Namor, the leader of an underwater civilization that — like Wakanda — was created thanks to a Vibranium-laden meteor.

Only Riri can create the tech that will allow outsiders to discover Vibranium, and since T’Challa shared Wakanda’s true identity with the world, Namor places responsibility for delivering her on Ramonda and Shuri. What ensues is Shuri’s battle with protecting her people, avoiding strife with Namor and battling her emotions around loss and grief.

Marvel has long had a villain issue, either not giving them enough of an interesting back story (Malekith, for example) or killing off the compelling ones after one movie (Killmonger, Xu Wenwu). They nailed it in Wakanda Forever. We get a full backstory for Namor, including his motivation for protecting his people, his home Talokan and the Vibranium.

Huerta emerges as a true star after his performance, captivating every moment he’s on the screen. Wright shines as a leading lady, and Bassett is flawless at all times. Lupita Nyong’o (Nakia), Danai Gurira (Okoye) and Winston Duke (M’Baku) continue to dominate on a cast full of stars. There’s even a cameo from Michael B. Jordan’s Killmonger that was perfectly executed.

It’s not all perfect, falling short of the measuring stick the original set. The inclusion of now-C.I.A. Director Valentina Allegra de Fontaine (Julia Louis-Dreyfus) felt a little out of place, and some of the new costumes — Riri’s second Iron Heart suit and the new Midnight Angels — seemed more Pokemon or Sonic than Black Panther.

But what Wakanda Forever does is advance the story of Black Panther while paying homage to a life lost entirely too soon. At times, it’s hard to tell if there’s any real boundary between mourning T’Challa the character and Boseman the person, and honestly it’s perfect.

These actors lost an actual, real life friend and mentor. This movie is raw and emotional and a wonderful way to honor both. From the Marvel logo featuring only images of Boseman as Black Panther to Wright’s final tear-ridden farewell to T’Challa as scenes from previous movies grace the screen, it’s an appropriate homage to what we lost. Don’t forget your tissues.

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