Which films will take home Oscars this weekend? We have our guesses.
With the 95th Academy Awards just around the corner, it’s time we roll up our sleeves and make some predictions.
While it’s impossible to really know what will win (outside of a few locked-in categories), we here at For The Win have a hunch as to what will take home the Oscar gold on Sunday.
Predicting the Oscars is kind of like predicting the Super Bowl. You can size up stats, watch film (literally) and make your best-educated guess, but it’s anyone’s game.
The Academy Awards have long defied perfection on the prediction board; you’re always more lucky to get things right than expectant to.
We’ve gone through all the non-short film categories and rounded up who we think will win. If we’re right, we’re smart and knew all along. If we’re not, blame the Academy not us!
Which sequels have been nominated for Best Picture? We’ve got answers.
The Academy Awards aren’t always known for throwing love at sequels.
While, yes, some films have broken through the void and earned respect from the Oscars, the industry has typically preferred original and adapted works.
Well, now that we’re headed toward another Oscar show, it’s time to take a look back at all the sequels that have won and been nominated in the Best Picture category.
There are actually more than you think!
Especially since the Oscars expanded the Best Picture nomination field past just five nominees, there are a good handful of sequels that have gotten some Oscar love in the show’s top category.
After Oscar winner Riz Ahmed and Girls alum Allison Williams revealed this year’s slate of nominees, it became clear that some films are in perfect positioning for easy awards. Others, however, will remain in the dark as campaigning continues on for the little gold men.
In a post-pandemic Academy landscape, anything is possible, and no race is settled.
Let’s look at 10 key takeaways from this year’s nominations and what they mean for the 95th ceremony and the Oscars as a whole.
The show itself will take place on Sunday, March 12.
Out of any of his contemporaries, filmmaker James Cameron has always found ways to break the invisible glass between his audience and his movies. Immersion is one thing, but Cameron’s films collapse your reality. One moment, you’re a doomed passenger aboard the Titanic. Another, you’re fending for your life from hungry Xenomorphs. The screen is always more a suggestion than a barrier.
Avatar: The Way of Water is his visual zenith. Thirteen years after transporting moviegoers to Pandora, Cameron now dunks them into the planet’s teeming oceans. The most beautiful dreams can’t really capture what it’s like to swim off Cameron’s imagined Metkayina reef. The best movies make imaginary worlds feel real. Avatar: The Way of Water makes the auditorium feel like the dream, and Pandora’s aquatic wonderland feel like home. There really hasn’t ever been something quite like this.
Disney/20th Century Studios
The debate of Avatar’s legacy always forgot that first sight of Pandora’s forests. That film pushed the boundary of computer-generated worldbuilding, but its plot became as hacked up as an axe-throwing board. However, Cameron always knew his foundation was sturdy. No Smurf or Fern Gully jokes could give you back the breath you lost the first time you stepped foot in the most-realized movie world of the century this side of Middle Earth. Cameron always knew that the easiest ways to change the visual game was to root the story in most basic tropes. He was going to have all his fun playing God while familiarity filled in the gaps.
Avatar: The Way of Water finds Cameron challenging himself as a storyteller all while setting the new bar of visual storytelling. Once you dive into Pandora’s oceans, you can’t go back. Filmmakers across the world are going to be pulling their hair out as to how they’re going to make their big-budget studio films feel this natural. While some may nitpick the hyperrealism of high frame rate projection, Pandora’s beaches feel like destinations instead of computer-generated wizardry. You’re going to wonder when these shores will pop up on a leg of The Amazing Race. Kevin Feige is going to have to go into hiding with how good Avatar: The Way of Water looks. It makes the latest Avengers film look like it was released around the time of Young Sherlock Holmes.
Disney/20th Century Studios
On visual splendor alone, there really might not be a more believable impossibility than swimming among the sea creatures of the new Avatar film. If you find the right IMAX 3D screen, you might as well pack a bathing suit and scuba gear. Your theater is about to take water, and your skin is about to turn blue. Cameron and co-writers Rick Jaffa and Amanda Silver level the film’s worldbuilding with a refreshingly complicated story of families and trust. Right away, the Jake Sully clan (now complete with kids) is sent on the run when the humans head back to Pandora, this time for permanent residence. Sully’s old nemesis, the thought-dead, Miles Quaritch (Stephen Lang, stellar in his first mo-cap performance) wants blood for blood, now rebooted in the body of the blue-skinned aliens he once reviled.
The Sully family’s running finds them taking refuge with the Metkayina clan, Na’vi creatures more adept to their waterfaring home. The film’s middle portion almost amounts to a hangout movie, replete with plenty of time to swim around Pandora’s ocean floor and meet all the alien fish, whale-like tulkuns and sentient coral reefs. The Sullys struggle to fully integrate with their costal cousins, which pulls their family unit tighter as their world gets irrevocably smaller.
Disney/20th Century Studios
The film veers into an effort to both protect the Sullys from Quaritch’s revenge tour and the tulkuns from human hunters who want to mine their brain goo for the folks back on a deteriorating Earth. You’d probably guess it all ends in a water battle for the ages, and you’d assume correct. It’s everything Cameron does well as a filmmaker combined with some narrative complexities that make moral grey as tantalizing as all of Pandora’s other colors.
In a year already chocked full of fantastic blockbusters, Avatar: The Way of Water dives in at the last moment and takes the sponge cake. Cameron’s breathtaking sequel will make even the most aquaphobic want to slap on some water wings and jump into Cameron’s big blue world. Years from now, you’re going to be telling your grandkids about the first time you went swimming in Pandora. It’ll probably be lame for them with wherever movies are in their time. For us, it’s a new wave.
Cameron, the Oscar-winning maestro behind Titanic, is gearing up for the release of his latest film Avatar: The Way of Water, which held its world premiere in London on Tuesday.
Thirteen years after the release of the gargantuan first film, the latest trip to Pandora stands as one of 2022’s most anticipated films and should dominate the global box office upon its release.
Film critics have started sharing their reactions to the sequel, and early word is incredibly promising.
Cameron is the king of the sci-fi sequel (and the world, depending on who you ask). Aliens and Terminator 2: Judgment Day are both landmark works.
It seems like Avatar: The Way of Water will join that elite company based on early reactions.
However, you won’t have to wait too long to see what the Na’vi are up to now. The film hits theaters for early showings on Thursday, Dec. 15.
