WATCH: Tennis superstar Novak Djokovic imitates Travis Kelce at U.S. Open

Tennis superstar Novak Djokovic imitated #Chiefs tight end Travis Kelce after winning his match at the U.S. Open on Tuesday.

Travis Kelce’s iconic homage to classic Beastie Boys diddy Fight For Your Right has officially gone mainstream in the sports scene after tennis superstar Novak Djokovic imitated the Kansas City Chiefs tight end on Tuesday at the U.S. Open.

After Djokovic’s win against Taylor Fritz that sent him to the Open’s semifinals, the beloved tennis legend took to the microphone to tell fans exactly what they need to do if they intend to party.

A clip of the affair was posted by the U.S. Open’s official Twitter account, which made an obligatory reference to Kelce, who has popularized the lyric in contemporary times.

While Djokovic’s delivery of the line was received with a bit less enthusiasm by the crowd in attendance at the U.S.T.A Billie Jean King National Tennis Center, his gusto in delivery was up to Kelce’s standard.

The three-time U.S. Open winner may get his chance to see Kelce in action on Thursday when the Chiefs face the Detroit Lions for the first game of the NFL’s 2023 regular season.

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How a Beastie Boys song can help the NFL scout LB prospects better

The NFL keeps looking for the wrong things in 1st-round LBs, but heeding a Beastie Boys song could help them evaluate them better

Here’s a little story I’ve got to tell about drafting linebackers in the NFL…

NFL teams haven’t established a great track record in evaluating first-round linebackers lately. A quick check of the recent decline in all fifth-year options for first-round LBs in the 2020 draft shows the league still struggles to get linebacker scouting correct.

My good friend Ash Thompson recorded an outstanding video breakdown on this whole topic for the Detroit Lions Podcast, in the context of evaluating 2023 first-rounder Jack Campbell. In chatting with Thompson privately, I was reminded of both an old song and something I’ve learned about linebacking play over the years.

Hold it now, hit it

The Beastie Boys and their “License to Ill” album was part of the deep-rooted soundtrack of my high school years. There’s a lesser-known track mixed among the epic songs, one that’s been a phrase I’ve adopted over the years to help me sort out my linebacker evaluations. It’ss the lead track on the album as well as a guiding light in LB scouting.

“Hold it now, hit it”

In linebacking terms, it means being positionally disciplined while also having enough athleticism to react quickly enough to make the play. Intelligence and body control matter as much–if not more–than straight-line speed and hyperkinetic energy. Hold your ground, don’t get fooled, then strike and terminate the play with a hit.

In his video, Thompson highlighted one-time Lions first-rounder Jarrad Davis, who is a great example of where the NFL gets evaluations at LB all wrong. Davis is a special athlete, a big-fast-strong-twitchy athlete, the kind of guy you want leading the charge to fight for the right to party. Alas, that doesn’t make him a very good linebacker.

Davis is far from the only linebacker where the NFL was looking for the new style in the wrong places. 2020 first-rounder Isaiah Simmons is another great example of a tremendous athlete who didn’t actually play off-ball linebacker all that effectively in college (he was best as a box safety), but was expected to just flip that switch in the NFL. Simmons, like Davis, Devin Bush, Darren Lee, Ernie Sims and many others, just wasn’t that crafty at actually doing LB things with their athleticism.

Overvaluing athletic traits at a position where football IQ is a paramount virtue for success is where NFL teams continually foul. There has to be a requisite level of athleticism to make it work, of course; slow and low is not an effective tempo. Change of direction ability, initial burst and open-field speed can’t be ignored, but they shouldn’t be the primary attribute. The ability to diagnose a play pre-snap, quickly read and react to a play, finish tackles and understand coverage responsibilities are more important than running 40 yards in a straight line rapidly.

The NFL does appear to be listening to the same tune. In this draft class, Clemson’s Trenton Simpson was my No. 86 overall prospect. I expected Simpson, a phenomenal athlete, to be selected in the top 40 because of his physical traits even though he didn’t pass my “hold it now, hit it” test. Simpson wound up being the No. 86 overall pick, by the Baltimore Ravens.

Scratching the record back to Jack Campbell, he absolutely passed the “hold it now, hit it” test. The Iowa LB was my No. 23 overall prospect. Detroit is hoping he makes sweeter music as the No. 18 overall pick than so many recent out-of-tune LBs have played. I like his chances.

 

Reminder: Chiefs have a new touchdown song coming for 2020

There’s going to be a new song at Arrowhead Stadium every time the Kansas City Chiefs score. You gotta fight, for your right, to party!

For the longest time, the Kansas City Chiefs used Gary Glitter’s “Rock ‘N’ Roll Part Two” at Arrowhead Stadium as the song that would play every time the team scored a touchdown. In 2015, the team opted to move away from the song and fans were given the option to vote for a new touchdown song.

They were given the following three options:

  • “Hey, Kansas City!” by David George and A Crooked Mile
  • “Let Me Clear My Throat” by DJ Kool
  • “Song 2” by Blur

None of these options quite filled the void left by the original touchdown song, but voters ultimately went with “Hey, Kansas City!” because it was from a local group. Eventually, they chose to rotate between some of these options but that was short-lived. Following the Chiefs’ Super Bowl-winning 2019 season, the team has decided to bring in a new touchdown song that resonates a bit better with the fanbase.

It’s a song that the Chiefs started using late in the 2019 season to celebrate touchdowns. It wasn’t made official as the touchdown song, at least until Chiefs TE Travis Kelce first announced it during his Super Bowl parade speech (watch here).

“. . .Every single touchdown, every single point we score at Arrowhead is going to end with the anthem,” Kelce said. “And you all have got to help me say it right here, one last time for the 2019-2020 world champions. You gotta fight, for your right, to party!”

That’s right folks, Beastie Boys hit “(You Gotta) Fight For Your Right (To Party)” is going to be the next touchdown song at Arrowhead Stadium.  Kelce mentioned it was cleared by team president Mark Donovan and the Hunt Family during his parade speech, and he recently reiterated that message to media members.

“. . .Then El Presidente, [Chiefs team president] Mark Donovan came up to me before the parade and let me know that we’re going to make ‘Fight For Your Right to Party’ the anthem for every time we score a point,” Kelce said.

Why did the Chiefs choose this song? Well, it really all started with Kelce’s postgame interview with CBS broadcaster Jim Nantz following the win against the Tennessee Titans in the AFC Championship Game.

“I’ll tell you what, it has been seven years coming baby,” Kelce told Nantz “I’ve learned one thing since I’ve been here. You gotta fight, for your right, to party!”

That moment turned out to be really iconic and something that will remind fans of the Chiefs’ Super Bowl win. Kelce obviously brought us back to that moment in his parade speech. It sparked a wave of merchandise like this shirt from BreakingT. It makes plenty of sense from a marketing standpoint this to become the new touchdown song at Arrowhead Stadium. It’s also just a fun and timeless song that seems to mesh with the team well.

How does Chiefs Kingdom feel about this song becoming the new touchdown song at Arrowhead Stadium? You can watch the music video for the song at the top of the page. Be sure to let us know your thoughts on Facebook and Twitter.